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Phantom Of The Opera LYRICS,Wishing You Were Somehow Here AgainPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Wishing You Were Somehow Here Again ,Phantom Of The Opera Wishing You Were Somehow Here Again SONG LYRICS, Phantom Of The Opera Wishing You Were Somehow Here Again letrasA GRAVEYARD (A mausoleum with hanging moss. In the centre a pyramid of skulls in front of a cross.) CHRISTINE You were once my one companion . . . you were all that mattered . . . You were once a friend and father - then my world was shattered . . . Wishing you were somehow here again . . . wishing you were somehow near . . . Sometimes it seemed if I just dreamed, somehow you would be here . . . Wishing I could hear your voice again . . . knowing that I never would . . . Dreaming of you won't help me to do all that you dreamed I could . . . Passing bells and sculpted angels, cold and monumental, seem, for you, the wrong companions - you were warm and gentle . . . Too many years fighting back tears . . . Why can't the past just die . . .? Wishing you were somehow here again . . . knowing we must say goodbye . . . Try to forgive . . . teach me to live . . . give me the strength to try . . . No more memories, no more silent tears . . . No more gazing across the wasted years . . . Help me say goodbye
14:25 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Wishing You Were Somehow Here Again , Phantom Of Th Phantom Of The Opera LYRICS,Why So Silent ,Phantom Of The OperaPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Why So Silent ,Phantom Of The Opera Why So Silent SONG LYRICS, Phantom Of The Opera Why So Silent letrasAt the height of the activity a grotesque figure suddenly appears at the lop of the staircase. Dressed all in crimson, with a death's head visible inside the hood of his robe, the PHANTOM has come to the party. With dreadful wooden steps he descends the stairs and takes the centre of the stage) PHANTOM Why so silent, good messieurs? Did you think that I had left you for good? Have you missed me, good messieurs? I have written you an opera! (He takes from under his robe an enormous bound manuscript) Here I bring the finished score - "Don Juan Triumphant" ! (He throws it to ANDRE) I advise you to comply - my instructions should be clear - Remember there are worse things than a shattered chandelier . . . (CHRISTlNE, mesmerized, approaches as the PHANTOM beckons her. He reaches out, grasps the chain that holds the secret engagement ring, and rips it from her throat) Your chains are still mine - you will sing for me! (ALL cower in suspense as the music crescendos, until suddenly, his figure evaporates) BACKSTAGE (GIRY is hurrying across. RAOUL appears and calls after her) RAOUL Madame Giry. Madame Giry . . . GIRY Monsieur, don't ask me - I know no more than anyone else. (She moves off again. He stops her) RAOUL That's not true. You've seen something, haven't you ? GIRY (uneasily) I don't know what I've seen . . . Please don't ask me, monsieur . . . RAOUL (desperately) Madame, for all our sakes . . . GIRY (She has glanced nervously about her and suddenly deciding to trust him, cuts in): Very well. It was years ago. There was a travelling fair in the city. Tumblers, conjurors, human oddities . . . RAOUL Go on . . . GIRY (trance-like, as she retraces the past) And there was . . . I shall never forget him: a man . . Iocked in a cage . . . RAOUL In a cage . . ? GIRY A prodigy, monsieur! Scholar, architect, musician . RAOUL (piecing together the jigsaw) A composer . . . GIRY And an inventor too, monsieur. They boasted he had once built for the Shah of Persia, a maze of mirrors . . . RAOUL (mystified and impatient, cuts in) Who was this man . . .? GIRY (with a shudder) A freak of nature . . . more monster than man . . . RAOUL (a murmur) Deformed . . .? GIRY From birth, it seemed . . . RAOUL My God . . . GIRY And then . . . he went missing. He escaped. RAOUL Go on. GIRY They never found him it was said he had died . . . RAOUL (darkly) But he didn't die, did he? GIRY The world forgot him, but I never can . . . For in this darkness I have seen him again . . . RAOUL And so our Phantom's this man . . . GIRY (starts from her daze and turns to go) I have said too much, monsieur. (She moves off into the surrounding blackness) And there have been too many accidents . . . RAOUL (ironical) Accidents?! GIRY Too many . . . (And, before he can question her further, she has disappeared) RAOUL (running after her) Madame Giry . .
14:23 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Why So Silent , Phantom Of The Opera Why So Silent Phantom Of The Opera LYRICS,Why Have You Brought Me Here ,PhantoPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Why Have You Brought Me Here ,Phantom Of The Opera Why Have You Brought Me Here SONG LYRICS, Phantom Of The Opera Why Have You Brought Me Here letrasTHE ROOF OF THE OPERA HOUSE (A statue of 'La Victoire Ailee' - the same as that which tops the proscenium. It is twilight. CHRISTINE and RAOUL rush on) RAOUL Why have you brought us here? CHRISTINE Don't take me back there! RAOUL We must return! CHRISTINE He'll kill me! RAOUL Be still now . . . CHRISTINE His eyes will find me there! RAOUL Christine, don't say that . . . CHRISTINE Those eyes that burn! RAOUL Don't even think it . . . CHRlSTlNE And if he has to kill a thousand men - RAOUL Forget this waking nightmare . . . CHRISTINE The Phantom of the Opera will kill . . . RAOUL This phantom is a fable . . . Believe me . . . CHRISTINE . . . and kill again! RAOUL There is no Phantom of the Opera . . . CHRISTINE My God, who is this man . . . RAOUL My God, who is this man . . . CHRISTINE . . . who hunts to kill . . .? RAOUL . . . this mask of death . . .? CHRISTINE I can't escape from him . . . RAOUL Whose is this voice you hear . . . CHRISTINE . . .I never will! RAOUL . . . with every breath . . .? BOTH And in this labyrinth, where night is blind the Phantom of the Opera is here: inside your/my mind . . . RAOUL There is no Phantom of the Opera . .
14:22 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Why Have You Brought Me Here , Phantom Of The Opera Phantom Of The Opera LYRICS,Wandering Child ,Phantom Of The OperPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Wandering Child ,Phantom Of The Opera Wandering Child SONG LYRICS, Phantom Of The Opera Wandering Child letrasThe PHANTOM emerges from behind the cross) PHANTOM (very soft and enticing) Wandering child . . . so lost . . . so helpless . . . yearning for my guidance . . . (Bewildered, CHRISTINE looks up, and murmurs breathlessly): CHRISTINE Angel . . . or father . . . friend . . . or Phantom . . . ? Who is it there, staring . . . ? PHANTOM (more and more hypnotic) Have you forgotten your Angel . . .? CHRISTINE Angel . . . oh, speak . . . What endless longings echo in this whisper . . .! (RAOUL appears in the shadows and watches for a moment transfixed) PHANTOM (now drawing CHRISTINE towards him) Too long you've wandered in winter . . . RAOUL (to himself a murmur) Once again she is his . . . PHANTOM Far from my far-reaching gaze . . . RAOUL Once again she returns . . . CHRISTINE (increasingly mesmerized) Wildly my mind beats against you . . . PHANTOM You resist . . . PHANTOM/CHRISTINE Yet your/the soul obeys . . . RAOUL . . . to the arms of her angel . . . angel or demon . . . still he calls her . . . luring her back, from the grave . . . angel or dark seducer . . .? Who are you, strange angel . . .? PHANTOM Angel of Music! You denied me, turning from true beauty . . . Angel of Music! Do not shun me . . . Come to your strange Angel . . . CHRISTINE Angel of Music! I denied you, turning from true beauty . . . Angel of Music! My protector . . . Come to me, strange Angel . . . (CHRISTINE moves towards the figure of the PHANTOM) PHANTOM (beckoning her) I am your Angel of Music . . . Come to me: Angel of Music . . . RAOUL (suddenly calling out) Angel of darkness! Cease this torment! (Inexorably the PHANTOM continues to beckon CHRISTINE) PHANTOM I am your Angel of Music . . . Come to me: Angel of Music . . . RAOUL (in desperation) Christine! Christine listen to me! Whatever you may believe, this man . . . this thing . . . is not your father! (to the PHANTOM) Let her go! For God's sake, let her go! Christine ! (Coming out of her trance CHRISTINE turns and mouths the words): CHRISTINE Raoul . .
14:20 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Wandering Child , Phantom Of The Opera Wandering Ch Phantom Of The Opera LYRICS,Twisted Every Way ,Phantom Of The OpPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Twisted Every Way ,Phantom Of The Opera Twisted Every Way SONG LYRICS, Phantom Of The Opera Twisted Every Way letrasCHRISTINE turns away unhappily) CHRISTINE Twisted every way, what answer can I give? Am I to risk my life, to win the chance to live? Can I betray the man who once inspired my voice? Do I become his prey? Do I have any choice? He kills without a thought, he murders all that's good . . . I know I can't refuse and yet, I wish I could . . . Oh God - if I agree, what horrors wait for me in this, the Phantom's opera . . .? RAOUL (to CHRISTINE, very tenderly) Christine, Christine, don't think that I don't care - but every hope and every prayer rests on you now . . . (CHRISTINE, overcome by her conflicting emotions turns away and hurries out. RAOUL strides forward and addresses an imaginary PHANTOM) RAOUL So, it is to be war between us! But this time, clever friend, the disaster will be yours! (As lights fade, ATTENDANTS stretch a red, velvet rope across the downstage area. OTHERS bring on gilt chairs. CARLOTTA PIANGI and GIRY move downstage to take their places for the next scene) A REHEARSAL FOR DON JUAN TRIUMPHANT (REYER supervises the learning of the new piece from the piano. Present are PIANGI, CHRISTINE, CARLOTTA, GlRY and CHORUS) CHORUS Hide our sword now wounded knight! Your vainglorious gasconnade brought you to your final fight for your pride, high price you've paid! CHRISTINE Silken couch and hay-filled barn both have been his battlefield. PIANGI (wrong) Those who tangle with Don Juan . . . REYER (stopping him) No, no, no! ChorusQrest, please. Don Juan, Signor Piangi - here is the phrase. (He demonstrates it) "Those who tangle with Don Juan . . ." If you please? PIANGI (still wrong) Those who tangle with Don Juan . . . REYER No, no. Nearly - but no. "Those who tan, tan, tan . . ." PIANGI (still wrong) Those who tangle with Don Juan . . . CARLOTTA (to the OTHERS) His way is better. At least he make it sound like music! GIRY (to CARLOTTA) Signora - would you speak that way in the presence of the composer? CARLOTTA (deaf to the implications of this remark) The composer is not here. And if he were here, I would . . . GIRY (cutting in, ominous) Are you certain of that, Signora . . .? REYER So, once again - after seven. (He gives the note and counts in) Five, six, seven . . . PIANGI (wrong again) Those who tangle with Don Juan . . . (Gradually EVERYONE starts either to talk or to practice the phrase simultaneously) CARLOTTA Ah, piu non posso! What does it matter what notes we sing? GIRY Have patience, Signora. CARLOTTA No-one will know if it is right or if it is wrong. No-one will care if it is right, or if it is wrong. CARLOTTA (mocking) Those who tangle with Don Juan! PIANGI (trying again) Those who tan . . . tan . . . (to CHRISTINE) Is right? CHRISTINE (to PIANGI) Not quite, Signor: Those who tan . . . tan . . . REYER (attempting lo restore order) Ladies . . . Signor Piangi . . . if you please . . . (REYER thumps the piano keys, then leaves the piano, and attempts to attract attention using signals. Al the height of the mayhem, the piano suddenly begins to demonstrate the music unaided. It plays with great force and rhythm. ALL fall silent and freeze then suddenly start to sing the piece robotically and accurately. As they continue to sing, CHRISTINE moves away from the group.) ALL EXCEPT CHRISTINE Poor young maiden! For the thrill on your tongue of stolen sweets you will have to pay the bill - tangled in the winding sheets! (As the ENSEMBLE becomes background, CHRISTINE, transfixed, sings independently): CHRISTINE In sleep he sang to me, in dreams he came . . . that voice which calls to me and speaks my name . . . (The scene begins to change. Trance-like, CHRISTINE moves slowly upstage. We hear the distant sound of bells) Little Lotte thought of everything and nothing . . . Her Father promised her that he would send her the Angel of Music . . . Her father promised her . . . Her father promised her . .
14:19 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Twisted Every Way , Phantom Of The Opera Twisted Ev Phantom Of The Opera LYRICS,Track Down This Murderer ,Phantom OfPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Track Down This Murderer ,Phantom Of The Opera Track Down This Murderer SONG LYRICS, Phantom Of The Opera Track Down This Murderer letrasHe hears the offstage voices of the pursuing MOB) MOB (offstage) Track down this murderer! He must be found! PHANTOM (moving off again) Hounded out by everyone! Met with hatred everywhere! No kind word from anyone! No compassion anywhere! Christine, Christine . . . Why, why . . .? (RAOUL and GIRY appear above. They make their way down, meeting a pack of rats. GlRY screams and lowers her guard. The rats and the RATCATCHER pass them. GIRY raises her hand again) GIRY Your hand at the level of your eyes! RAOUL . . . at the level of your eyes . . . MOB (offstage) Your hand at the level of your eyes! GIRY He lives across the lake, monsieur. This is as far as I dare go. RAOUL Madame Giry, thank you. (She turns to go back up the slope. RAOUL looks at the water. He removes his coat and plunges in. The MOB appears at the top of the slope. They come down to the lake edge, their torches flickering.) MOB Track down this murderer - He must be found! Hunt out this animal, who runs to ground! Too long he's preyed on us - but now we know: the Phantom of the Opera is there deep down below . . . He's here: the Phantom of the Opera . . . (They turn back up the slope. Perhaps there is another way in. The gate to the lair descends, as the rest of the lair appears.) BEYOND THE LAKE (The dummy of CHRlSTlNE sits crumpled on a large throne. The PHANTOM drags CHRISTINE roughly out of the boat. She frees herself and backs away as he stares blackly out front. Braving her terror, she addresses him fiercely). CHRISTINE Have you gorged yourself at last, in your lust for blood? (no reply) Am I now to be prey to your lust for flesh? PHANTOM (Coldly) That fate, which condemns me to wallow in blood has also denied me the joys of the flesh . . . this face - the infection which poisons our love . . . (He lakes the bridal veil front the dummy, and moves slowly towards her) This face, which earned a mother's fear and loathing . . . A mask, my first unfeeling scrap of clothing . . . (He places the veil on her head) Pity comes too late - turn around and face your fate: an eternity of this before your eyes! (They are almost touching. She looks calmly and coldly into his face) CHRISTINE This haunted face holds no horror for me now . . . It's in your soul that the true distortion lies . . . (The PHANTOM suddenly senses RAOUL'S presence. Behind the portcullis, RAOUL climbs out of the water) PHANTOM Wait! I think, my dear, we have a guest! (to RAOUL) Sir, this is indeed an unparalleled delight! I had rather hoped that you would come. And now my wish comes true - you have truly made my night! RAOUL (pleading, grasping the bars of the gate) Free her! Do what you like only free her! Have you no pity? PHANTOM (to CHRISTINE, dryly) Your lover makes a passionate plea! CHRISTINE Please, Raoul, it's useless . . . RAOUL I love her! Does that mean nothing? I love her! Show some compassion . . . PHANTOM (snarls furiously at RAOUL) The world showed no compassion to me! RAOUL Christine . . . Christine . . . (to PHANTOM) Let me see her . . . PHANTOM (drily) Be my guest, sir . . (He gestures, and the fence rises. RAOUL enters) Monsieur, I bid you welcome! Did you think that I would harm her? Why should I make her pay for the sins which are yours? (So saying, he takes the Punjab lasso and, before RAOUL has a chance to move, catches him by the neck. The end of the rope, of which the PHANTOM has let go, remains magically suspended in mid-air) (taunting) Order your fine horses now! Raise up your hand to the level of your eyes! Nothing can save you now - except perhaps Christine . . . (He turns to her) Start a new life with me - Buy his freedom with your love! Refuse me, and you send your lover to his death! This is the choice - This is the point of no return! CHRISTINE (to the PHANTOM) The tears I might have shed for your dark fate grow cold, and turn to tears of hate . . . RAOUL (despairing) Christine, forgive me please forgive me . . . I did it all for you, and all for nothing . . . CHRISTINE (looking at the PHANTOM but to herself) Farewell my fallen idol and false friend . . . One by one I've watched illusions shattered . . . PHANTOM Past all hope of cries for help: no point in fighting - RAOUL Either way you choose, he has to win . . . PHANTOM For either way you choose, you cannot win! So, do you end your days with me, or do you send him to his grave? RAOUL (to PHANTOM) Why make her lie to you, to save me? CHRISTINE Angel of Music . . . PHANTOM Past the point of no return - RAOUL For pity's sake, Christine, say no! CHRISTINE . . . why this torment? PHANTOM . . . the final threshold . . . RAOUL Don't throw your life away for my sake . . . CHRISTINE When will you see reason . . .? PHANTOM His life is now the prize which you must earn! RAOUL I fought so hard to free you . . . CHRISTINE Angel of Music . . . PHANTOM You've passed the point of no return . . . CHRISTINE . . . you deceived me - I gave my mind blindly . . . PHANTOM (to CHRISTINE) You try my patience - make your choice! (She reflects for a moment, then with resolution moves slowly towards the PHANTOM) CHRISTINE (quietly at first, then with growing emotion) Pitiful creature of darkness . . . What kind of life have you known . . .? God give me courage to show you you are not alone . . . (Now calmly facing him, she kisses him long and full on the lips. The embrace lasts a long time. RAOUL watches in horror and wonder. The PHANTOM lakes a lighted candle and holds it above RAOUL's head. A tense moment. But the suspended rope suddenly falls harmlessly - the PHANTOM has burned the thread by which the noose was held. Resigned, he addresses RAOUL, as we hear the offstage voices of the approaching MOB) MOB Some: Track down this murderer - he must be found! Hunt out this animal, who runs to ground! Too long he's preyed on us - but now we know: the Phantom of the Opera is there deep down below . . Others: Who is this monster, this murdering beast? Revenge for Piangi! Revenge for Buquet! This creature must never go free . . . PHANTOM Take her - forget me - forget all of this . . . Leave me alone - forget all you've seen . . . Go now - don't let them find you! Take the boat - leave me here - go now, don't wait . . . Just take her and go - before it's too late . . . Go . . . Go now - go now and leave me! (RAOUL and CHRISTINE move off towards the boat. The PHANTOM looks mockingly at his mask. The musical box starts up magically, and he listens to it) Masquerade . . . Paper faces on parade . . . Masquerade . . . Hide your face so the world will never find you . . . (CHRISTINE re-enters and walks slowly towards him. She takes off her ring and gives it to the PHANTOM) PHANTOM Christine, I love you . . . (She hurries off The PHANTOM puts the ring on his finger) CHRISTINE (In the distance, to RAOUL, as the boat pulls away in the shadow) Say you'll share with me, one love, one lifetime . . . say the word and I will follow you . . RAOUL Share each day with me . . . CHRISTINE . . . each night . . . BOTH . . . each morning . . . PHANTOM (looking after her) You alone can make my song take flight - it's over now, the music of the night . . . (The PHANTOM walks slowly towards the throne. He takes his place on it, sitting on his cloak. The MOB including MEG, appears above, climbing down the portcullis. As the MOB enters the lair, the PHANTOM wraps his cloak around himself and disappears. MEG crosses to the throne and picks up his mask in her small hand) END OF ACT 2
14:16 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Track Down This Murderer , Phantom Of The Opera Tra Phantom Of The Opera LYRICS,Think of Me ,Phantom Of The Opera ThPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Think of Me ,Phantom Of The Opera Think of Me SONG LYRICS, Phantom Of The Opera Think of Me letrasREHEARSALS FOR "HANNIBAL" BY CHALUMEAU (We have reached the great choral scene in which HANNIBAL and his army return to save Carthage from the Roman invasion under Scipio. HANNIBAL is UBALDO PIANGI; ELISSA, Queen of Carthage (his mistress) is CARLOTTA GUIDICELLI. The two leading SLAVE GIRLS are played by MEG GIRY and CHRISTINE DAAE. MME. GIRY is the ballet mistress. M. REYER, the repetiteur, is in charge. We join the opera towards the end of ELISSA's (CARLOTTA's) great aria. She is alone, holding a pre. from the approaching HANNIBAL, a bleeding severed head) CARLOTTA (at the climax of an extravagant cade) This trophy from our saviours, from the enslaving force of Rome! (A STAGE HAND carries a ladder across the stage. OTHERS are seen still constructing parts of the scenery) GIRLS' CHORUS With feasting and dancing and song, tonight in celebration we greet the victorious throng, returned to bring salvation! MEN'S CHORUS The trumpets of Carthage resound ! Hear, Romans, now and tremble! Hark to our step on the ground! ALL Hear the drums - Hannibal comes! (PIANGI enters, as HANNIBAL) PIANGI (HANNIBAL) Sad to return to find the land we love threatened once more by Roma's far-reaching grasp. REYER (interrupting him) Signor . . . if you please: "Rome". We say "Rome' not "Roma" PIANGI Si, si, Rome, not Roma. Is very hard for me. (practising) Rome . . . Rome . . . (Enter LEFEVRE, the retiring manager of the Opera, with M. FIRMIN and M. ANDRE, to whom he has just sold it) REYER (to PIANGI) Once again, then, if you please, Signor: "Sad to return . . ." LEFEVRE (to ANDRE and FIRMIN) This way, gentlemen, this way. Rehearsals, as you see, are under way, for a new production of Chalumeau's "Hannibal". (seeing a hiatus in the rehearsal, LEFEVRE attempts to attract attention.) LEFEVRE Ladies and gentlemen, some of you may already, perhaps, have met M. Andre and M. Firmin ... (the new managers are politely bowing, when REYER interrupts) REYER I'm sorry, M. Lefevre, we are rehearsing. If you wouldn't mind waiting a moment? LEFEVRE My apologies, M. Reyer. Proceed, proceed ... REYER Thank you, monsieur (turning back to PIANGI). "Sad to return..." Signor ... LEFEVRE (sotto voce to ANDRE and FIRMIN) M. Reyer, our chief repetiteur. Rather a tyrant, I'm afraid. (the rehearsal continues) PIANGI (HANNIBAL) Sad to return to find the land we love threatened once more by Rome's far-reaching grasp. Tomorrow we shall break the chains of Rome. Tonight, rejoice - your army has come home. BALLET GIRLS begin their dance. LEFEVRE, ANDRE and FIRMIN stand centr-stage watching the ballet. They are in the way. The ballet continues under the following dialogue.) LEFEVRE (indicating PIANGI) Signor Piangi, our principal tenor. He does play so opposite La Carlotta. GIRY (exasperated by their presence, bangs her cane angrily on the stage) Gentlemen, please! If you would kindly move to one side? LEFEVRE My apologies, Mme. Giry. (leading ANDRE and FIRMIN aside) Mme. Giry, our ballet mistress. I don't mind confessing, M. Firmin, I shan't be sorry to be rid of the whole blessed business. FIRMIN I keep asking you, monsieur, why exactly are you retiring? LEFEVRE (ignoring this, calls his attention to the continuing ballet) We take a particular pride here in the excellence of our ballets. (MEG becomes prominent among the dancers) ANDRE Who's that girl, Lefevre? LEFEVRE Her? Meg Giry, Madame Giry's daughter. Promising dancer, M. Andre, most promising. (CHRISTINE becomes prominent. She has absent- mlndedly fallen out-of-step) GIRY (spotting her, bangs her cane again) You! Christine Daae! Concentrate, girl! MEG (quietly, to CHRISTINE) Christine . . . What's the matter? FIRMIN (to LEFEVRE) Daae? Curious name. LEFEVRE Swedish. ANDRE Any relation to the violinist? LEFEVRE His daughter, I believe. Always has her head in the clouds, I'm afraid. (The ballet continues to its climax and ends. The CHORUS resumes) CHORUS Bid welcome to Hannibal's guests - the elephants of Carthage! As guides on our conquering quests, Dido sends Hannibal's friends! (the ELEPHANT, a life-sized mechanical replica, enters. PIANGI is lifted, in triumph, onto its back) CARLOTTA (ELISSA) Once more to my welcoming arms my love returns in splendour! PIANGI (HANNIBAL) Once more to those sweetest of charms my heart and soul surrender! CHORUS The trumpeting elephants sound hear, Romans, now and tremble! Hark to their step on the ground hear the drums! Hannibal comes! (At the end of the chorus LEFEVRE claps his hands for silence. The elephant is led off. Two stage-hands are revealed operating it from within) LEFEVRE Ladies and gentlemen - Madame Giry, thank you - may I have your attention, please? As you know, for some weeks there have been rumours of my Imminent retirement. I can now tell you that these were all true and it is my pleasure to introduce to you the two gentlemen who now own the Opera Populaire, M. Richard Firmin and M. Gilles Andre. (Polite applause. Some bowing. CARLOTTA makes her presence felt) Gentlemen, Signora Carlotta Giudicelli, our leading soprano for five seasons now. ANDRE Of course, of course. I have experienced all your greatest roles, Signora. LEFEVRE And Signor Ubaldo Piangi. FIRMIN An honour, Signor. ANDRE If I remember rightly, Elissa has a rather fine aria in Act Three of "Hannibal". I wonder, Signora, if, as a personal favour, you would oblige us with a private rendition? (Somewhat acerbic). Unless, of course, M. Reyer objects . . . CARLOTTA My manager commands . . . M. Reyer? REYER My diva commands. Will two bars be sufficient introduction? FIRMIN Two bars will be quite sufficient REYER (ensuring that CARLOTTA is ready) Signora? CARLOTTA Maestro. (The introduction is played on the piano) CARLOTTA Think of me, think of me fondly, when we've said goodbye. Remember me once in a while - please promise me you'll try. When you find that, once again, you long to take your heart . . . (As CARLOTTA is singing a backdrop crashes to the floor cutting her off from half the cast) MEG/BALLET GIRLS/CHORUS He's here: the Phantom of the Opera . . . He is with us . . . It's the ghost . . . PIANGI (looking up, furiously) You idiots! (He rushes over to CARLOTTA) Cara! Cara! Are you hurt? LEFEVRE Signora! Are you all right? Buquet! Where is Buquet ? PIANGI Is no one concerned for our prima donna? LEFEVRE Get that man down here ! (to ANDRE and FIRMIN) Chief of the flies. He's responsible for this. (The drop is raised high enough to reveal upstage an old stagehand, JOSEPH BUQUET, holding a length of rope, which looks almost like a noose) LEFEVRE Buquet! For God's sake, man, what's going on up there? BUQUET Please monsieur don't look at me: as God's my witness, I was not at my post. Please monsieur there's no one there: and if there is, well then, it must be a ghost . . . MEG (looking up) He's there; the Phantom of the Opera ... ANDRE Good heavens! Will you show a little courtesy? FIRMIN (to MEG and the OTHERS) Mademoiselle, please! ANDRE (to CARLOTTA) These things do happen. CARLOTTA Si! These things do happen! Well, until you stop these things happening, this thing does not happen! Ubaldo! Andiamo! (PIANGI dutifully fetches her furs from the wings) PIANGI Amateurs ! LEFEVRE I don't think there's much more to assist you, gentlemen. Good luck. If you need me, I shall be in Frankfurt . (He leaves. The COMPANY looks anxiously at the NEW MANAGERS) ANDRE La Carlotta will be back. GIRY You think so, messieurs? I have a message, sir, from the Opera Ghost. (The GIRLS twitter and twirl in fear) FIRMIN God in Heaven, you're all obsessed! GIRY He merely welcomes you to his opera house and commands you to continue to leave Box Five empty for his use and reminds you that his salary is due. FIRMIN His salary? GIRY Monsieur Lefevre paid him twenty thousand francs a month. Perhaps you can afford more, with the Vicomte de Chagny as your patron. (Reaction to this from the BALLET GIRLS. CHRISTINE takes hold of MEG nervously) ANDRE (to GIRY) Madame, I had hoped to have made that announcement myself. GIRY (to FIRMIN) Will the Vicomte be at the performance tonight, monsieur? FIRMIN In our box. ANDRE Madame, who is the understudy for this role? REYER There is no understudy, monsieur - the production is new. MEG Christine Daae could sing it, sir. FlRMIN The chorus girl ? MEG (to FIRMIN) She's been taking lessons from a great teacher ANDRE From whom ? CHRISTINE (uneasily) I don't know, sir . . . FIRMIN Oh, not you as well! (turning to ANDRE) Can you believe it? A full house - and we have to cancel ! GIRY Let her sing for you, monsieur. She has been well taught. REYER (after a pause) From the beginning of the aria then, mam'selle. CHRISTINE Think of me think of me fondly, when we've said goodbye. Remember me once in a while - please promise me you'll try. FIRMIN Andre, this is doing nothing for my nerves. ANDRE Don't fret, Firmin. CHRISTINE When you find that, once again, you long to take your heart back and be free - if you ever find a moment, spare a thought for me (Transformation to the Gala. CHRISTINE is revealed in full costume) We never said our love was evergreen, or as unchanging as the sea - but if you can still remember stop and think of me . . . Think of all the things we've shared and seen - don't think about the things which might have been . . . Think of me, think of me waking, silent and resigned. Imagine me, trying too hard to put you from my mind. Recall those days look back on all those times, think of the things we'll never do - there will never be a day, when I won't think of you . . (Applause, bravos. Prominent among the bravos, those of the young RAOUL in the MANAGERS' box) RAOUL Can it be? Can it be Christine? Bravo! (he raises his opera-glasses) What a change! You're really not a bit the gawkish girl that once you were... (lowering his opera-glasses) She may not remember me, but I remember her... CHRISTINE We never said our love was evergreen, or as unchanging as the sea - but please promise me, that sometimes you will think of me
14:15 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Think of Me , Phantom Of The Opera Think of Me SONG Phantom Of The Opera LYRICS,The Point of No Return ,Phantom Of TPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, The Point of No Return ,Phantom Of The Opera The Point of No Return SONG LYRICS, Phantom Of The Opera The Point of No Return letrasDON JUAN (PHANTOM - behind the curtain) Passarino - go away! For the trap is set and waits for its prey . . . (PASSARINO leaves. CHRISTINE (AMINTA) enters. She takes off her cloak and sits down. Looks about her. No- one. She starts on an apple. The PHANTOM, disguised as DON JUAN pretending to be PASSARINO, emerges. He now wears PASSARINO's robe, the cowl of which hides his face. His first words startle her) DON JUAN (PHANTOM) You have come here in pursuit of your deepest urge, in pursuit of that wish, which till now has been silent, silent . . . I have brought you, that our passions may fuse and merge - in your mind you've already succumbed to me dropped all defences completely succumbed to me - now you are here with me: no second thoughts, you've decided, decided . . . Past the point of no return - no backward glances: the games we've played till now are at an end . . . Past all thought of "if" or "when" - no use resisting: abandon thought, and let the dream descend . . . What raging fire shall flood the soul? What rich desire unlocks its door? What sweet seduction lies before us . . .? Past the point of no return, the final threshold - what warm, unspoken secrets will we learn? Beyond the point of no return . . . AMINTA (CHRISTINE) You have brought me to that moment where words run dry, to that moment where speech disappears into silence, silence . . . I have come here, hardly knowing the reason why . . . In my mind, I've already imagined our bodies entwining defenceless and silent - and now I am here with you: no second thoughts, I've decided, decided . . . Past the point of no return - no going back now: our passion-play has now, at last, begun . . . Past all thought of right or wrong - one final question: how long should we two wait, before we're one . . .? When will the blood begin to race the sleeping bud burst into bloom? When will the flames, at last, consume us . . .? BOTH Past the point of no return the final threshold - the bridge is crossed, so stand and watch it burn . . . We've passed the point of no return . . . (By now the audience and the POLICE have realised that SIGNOR PIANGI is dead behind the curtain, and it is the PHANTOM who sings in his place. CHRISTINE knows it too. As final confirmation, the PHANTOM sings): PHANTOM Say you'll share with me one love, one lifetime . . . Lead me, save me from my solitude . . . (He takes from his finger a ring and holds it out to her. Slowly she takes it and puts it on her finger.) Say you want me with you, here beside you . . . Anywhere you go let me go too - Christine that's all I ask of . . . (We never reach the word 'you', for CHRISTINE quite calmly reveals the PHANTOM'S face to the audience. As the FORCES OF LAW close in on the horrifying skull, the PHANTOM sweeps his cloak around her and vanishes. MEG pulls the curtain upstage, revealing PIANGI'S body garotted, propped against the bed, his head gruesomely tilted to one side. She screams.) TRANSFORMATION TO: REVERSE VIEW OF THE STAGE (POLICE, STAGEHANDS, etc. rush onto the stage in confusion. Also: ANDRE, FIRMIN, RAOUL, GIRY, CARLOTTA and MEG) CARLOTTA What is it? What has happened? Ubaldo! ANDRE Oh, my God . . . my God . . . FIRMIN We're ruined, Andre - ruined! GIRY (to RAOUL) Monsieur le Vicomte! Come with me! CARLOTTA (rushing over to PIANGI's body) Oh, my darling, my darling . . . who has done this ...? (hysterical, attacking ANDRE) You! Why did you let this happen? (She breaks down, as PIANGI's body is carried off on a stretcher) GIRY Monsieur le Vicomte, I know where they are. RAOUL But can I trust you? GIRY You must. But remember: your hand at the level of your eyes! RAOUL But why . . .? GIRY Why? The Punjab lasso, monsieur. First Buquet. Now Piangi. MEG (holding up her hand) Like this, monsieur. I'll come with you. GIRY No, Meg! No, you stay here! (to RAOUL) Come with me, monsieur. Hurry, or we shall be too late . .
14:13 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, The Point of No Return , Phantom Of The Opera The P Phantom Of The Opera LYRICS,The Phantom of the Opera ,Phantom OfPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, The Phantom of the Opera ,Phantom Of The Opera The Phantom of the Opera SONG LYRICS, Phantom Of The Opera The Phantom of the Opera letrasTHE LABYRINTH UNDERGROUND (The PHANTOM and CHRISTINE take their strange journey to the PHANTOM'S lair. Candles rise from the stage. We see CHRISTINE and the PHANTOM in a boat which moves slowly across the misty waters of the underground lake) CHRISTINE In sleep he sang to me, in dreams he came . . . that voice which calls to me and speaks my name . . . And do I dream again? For now I find the Phantom of the Opera is there - inside my mind . . . PHANTOM Sing once again with me our strange duet . . . My power over you grows stronger yet . . . And though you turn from me, to glance behind, the Phantom of the Opera is there - inside your mind . . . CHRISTINE Those who have seen your face draw back in fear . . . I am the mask you wear . . . PHANTOM It's me they hear . . . BOTH Your/my spirit and your/my voice, in one combined: the Phantom of the Opera is there inside your/my mind . . . OFFSTAGE VOICES He's there, the Phantom of the Opera . . . Beware the Phantom of the Opera . . . PHANTOM In all your fantasies, you always knew that man and mystery . . . CHRISTINE . . . were both in you . . . BOTH And in this labyrinth, where night is blind, the Phantom of the Opera is there/here inside your/my mind . . . Sing, my Angel of Music! CHRISTINE He's there, the Phantom of the Opera . . . (She begins to vocalise strangely, her song becoming more and more extravagant
14:10 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, The Phantom of the Opera , Phantom Of The Opera The Phantom Of The Opera LYRICS,The Music of the Night ,Phantom Of TPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, The Music of the Night ,Phantom Of The Opera The Music of the Night SONG LYRICS, Phantom Of The Opera The Music of the Night letrasBEYOND THE LAKE THE NEXT MORNING (Finally they arrive in the PHANTOM'S lair. Downstage the candles in the lake lift up revealing giant candelabrums outlining the space. The boat turns into a bed. There is a huge pipe organ. The PHANTOM sits at the organ and takes over the accompaniment) PHANTOM I have brought you to the seat of sweet music's throne . . . to this kingdom where all must pay homage to music . . . music . . . You have come here, for one purpose, and one alone . . . Since the moment I first heard you sing, I have needed you with me, to serve me, to sing, for my music . . . my music . . . (changing mood) Night-time sharpens, heightens each sensation . . . Darkness stirs and wakes imagination . . . Silently the senses abandon their defences . . . Slowly, gently night unfurls its splendour . . . Grasp it, sense it - tremulous and tender . . . Turn your face away from the garish light of day, turn your thoughts away from cold, unfeeling light - and listen to the music of the night . . . Close your eyes and surrender to your darkest dreams! Purge your thoughts of the life you knew before! Close your eyes, let your spirit start to soar! And you'll live as you've never lived before . . . Softly, deftly, music shall surround you . . . Feel it, hear it, closing in around you . . . Open up your mind, let your fantasies unwind, in this darkness which you know you cannot fight - the darkness of the music of the night . . . Let your mind start a journey through a strange new world! Leave all thoughts of the world you knew before! Let your soul Take you where you long to be ! Only then can you belong to me . . . Floating, falling, sweet intoxication! Touch me, trust me savour each sensation! Let the dream begin, let your darker side give in to the power of the music that I write - the power of the music of the night . . . (During all this, the PHANTOM has conditioned CHRISTINE to the coldness of his touch and her fingers are brave enough to stray to his mask and caress it, with no hint of removing it. The PHANTOM leads her to a large mirror from which he removes a dust cover and in which we see the image of CHRISTINE, a perfect wax- face impression, wearing a wedding gown. CHRISTINE moves slowly towards it when suddenly the image thrusts its hands through the mirror towards her She faints. The PHANTOM catches her and carries her to the bed, where he lays her down.) PHANTOM You alone can make my song take flight - help me make the music of the night . .
14:09 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, The Music of the Night , Phantom Of The Opera The M
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