| Her telden |
Saç dökülmesini önlemek için nasıl beslenmeliyiz?Saç dökülmesini önlemek için özel bir diyet yok açıkçası. Sadece eğer sağlıklı bir bireyseniz, her tür gıdadan sağlıklı ve dengeli bir şekilde besleniyorsanız, özellikle balık yiyin özellilikle et yiyin diye bir şey yok. Ama şu var proteinden zengin, sebze meyveden zengin, her türlü vitamini dengeli bir şekilde alabileceğiniz bir diyet saçlarınıza da tüm vücudunuzun sağlığına olduğu gibi pozitif etki yaratacaktır. Saç dökülmesinin sebebi yine en sık nedeni antro genetik saç dökülmesi olduğu için bunun önüne sadece beslenmeyle geçmeniz mümkün değil. Ama şu var eğer mesela bir kadında saç dökülmesi görüyorsanız ve işte demir eksikliğine bağlıysa, demir içeren işte kırmızı ettir, yeşil sebzelerdir, yumurtadır gibi bu tarz şeylerin takviyesi belki ilaç tedavisi yanında verilebilir. Yani böyle özel durumlarda, eksikliği varsa bir şeyin vücudunuzda, çinkonun eksikli varsa, vitamin b12’nin veya demirin eksikliği varsa bunları yerine koyucu beslenebilirsiniz. Onun dışında sağlıklı bir birer, herhangi bir eksikliğiniz yoksa normal herhangi bir diyet yapmadan beslenebilirsiniz.02:43 - 11/11/2009 - Yorum {yok} - yorum yazEtiketler : Saç dökülmesini önlemek için nasıl beslenmeliyiz? Saç uzatmak dökülmeyi artırır mı?Saç dökülmesiniz asıl sebebi genetik dökülmeler olduğu için genetik dökülmelerde uzun veya kısa çok sonuç değişmeyecektir. Sonuçta olay saç köklerinde bitiyor. Hormonların gidip saç köklerindeki alçılayıcılara bağlanması ve onların zaman içerisinde kökü harap etmesi ve sonuçta saç kökünün tamamen yok olup önce cılız saçlarının ortaya çıkması zaman içerisinde hiç çıkmaması şeklinde sonuçlanan bir süreç. Dolayısıyla burada saç uzun kısa çok önemli olmayacaktır. Ama şu var özellikle mevsimsel geçişlerine bağlı kadınlarda yine özellikle ortaya çıkan saç dökülmelerinde bazı yazarlar var ki uzun saçlı kadınlarda bu mevsimsel dökülmeler daha fazla oluyor deniliyor. O zaman saçları kısaltma o dönem için faydalı olabilir. Ama rutinde kısa saçlı hastaların daha gürdür uzun saçlıların daha gürdür diye bir şey yok.02:42 - 11/11/2009 - Yorum {yok} - yorum yazEtiketler : Saç uzatmak dökülmeyi artırır mı? Dökülen saç tekrar çıkar mı?Genetik sebeple dökülen saçlarda tekrar saçın geri gelmesi söz konusu değildir. Çünkü burada mekanizma şudur; hormonlar saç köklerinizin üzerindeki hormonu algılayan reseptör dediğimiz alçılayıcılara bağlanırlar. Öncelikle fölik kökünün saç üretme yeteneğini azaltır. Önce çok cılız ve seyrek saçlar, uzamayan saçlar geliştirir. Zaman içerisinde folikür tamamen kapanır ve oradan artık tekrar saç teli büyümez. Buradan tekrar herhangi bir yöntemle saç çıkarmanız mümkün değildir. Ama şu var eğer mevsimsel bir dökülme, ya da kadınlarda özellikle gebelik sonrası hormonların etkisiyle olan dökülmeler vardır. İlk üç, altı ay içerisinde ortaya çıkan bu gibi dökülmelerde saç tamamıyla 1 sene sonra geri gelir. Veya mevsimsel dökülmeler varsa strese bağlı veya kansızlığa bağlı dökülmeler varsa kansızlığı tedavi ettiğinizde saçınızı da geri kazanabilirsiniz.02:41 - 11/11/2009 - Yorum {yok} - yorum yazEtiketler : Dökülen saç tekrar çıkar mı? Saç dökülmesine hangi bitkisel karışımlar iyi gelir?Saçların dökülmesini engellememiz için; 200 gram zeytinyağı, 1 tutam ısırgan otu, bunu 7 gün cam bir kavanozda güneşte bekletiyorsunuz. 7 gün sonra süzüyorsunuz. Süzdükten sonra eğer saçınızda herhangi bir rahatsızlık varsa bir çorba kaşığı doğal limon suyu ekleyin. 1 2 damla lavanta damlatın. yani karışımın içerisine o yağın hepsinin içerisine değil.Bir kasenin içerisine koyduğunuz yağın içerisine bunları ekleyin.saç dibinize sürün.saçlarınızın dökülmesi duracaktır.02:40 - 11/11/2009 - Yorum {yok} - yorum yazEtiketler : Saç dökülmesine hangi bitkisel karışımlar iyi gelir? Saç dökülmesini önlemek için hangi bitkisel karışımları kullanabZeytinyağı badem yağı gibi saç bakımında kişilerin evde uyguladıkları bir takım şeyler vardır. Limon karıştır, badem yağı zeytinyağı üstüne birde yumurta akı ile birlikte onlar ondan sonra saçla bir güzel pişerler. Yıkaması ve temizlemesi çok zor olur. Bunların açıkça saç çıkartıcı bir etkisi yok. Ancak şu etkisi olabilir özellikle saçlarınız kuru saç ise zeytinyağı cildinizi nemlendirebilir. Bu amaç içinde kullanılabilir. Bebeklerde özellikle saf zeytinyağı kullanılır kimyasal olmasın diye. Saçınıza da böyle bir etkisi olabilir. Kuruysa nemli ve daha canlı daha sağlıklı gözükebilir. Sonuç olarak bu tarz bitkisel karışımlar denenebilir. Çeşitli karışımlar vardır yapabilirsiniz sonuçta bunların hepsi bitkisel sağlıklı yağlar. Ama Bilimsel olarak literatürde şu karışımı yapın saçlarınız çıksın diye bir karışım yok.02:40 - 11/11/2009 - Yorum {yok} - yorum yazEtiketler : Saç dökülmesini önlemek için hangi bitkisel karışımları kullanabiliriz? Saç dökülmesini engellemek için hangi bitkileri kullanabiliriz?Saç dökülmesiyle mücadele etmek için veya bu durumu geciktirmek için şunu düşünebiliriz. Şaç oluşumunda en önemli elementlerin başında çinko geliyor, dolayısıyla eğer tıbbı çaylar içinde kullanacağımız bitkilerin çinko içeriği yüksekse hiç olmazsa dolaylıda olsa biz saçların gereksimi olan çinkoyu vücuda sağlamış oluruz. Örneğin tahıllar bu konuda önceliklidir. Yâda kuruyemiş, yani fındık, ceviz ve üzüm özellikle çinko bakımından zengindir. Tahıllarda keza, örneğin yulaf böyledir bu gibi gıdaların alınması vücuda özellikle saç bakımında gerekli olan çinkoyu temin etmiş olur. Tabi saç dökülmesinin önüne geçmek için gıdalardan ziyade haricen kullanımlar daha da önemlidir. Saç foliküllerinin bulunduğu yani saç köklerinin bulunduğu derinin çok sağlıklı olması en direk olarak saçların çok sağlıklı olmasını sağlar. Şaç foliküllerinin bulunduğu deri katmanının sağlıklı olması zeytinyağının çok tüketilmesine bağlıdır. Zeytinyağı ister dâhilen ister haricen kullanılsın saçlar için son derece bitkisel bir yağdır.02:39 - 11/11/2009 - Yorum {yok} - yorum yazEtiketler : Saç dökülmesini engellemek için hangi bitkileri kullanabiliriz? Anlatımlı Uzun Örgü Bayan Hırkası Örneği ve Yapılışı Yapılışı: 600 gr yün 7 numara şiş ARKA: 58 ilmek başlayıp 2 ters 2 düz 2cm lastik örün sonra ki sırada 6 ilmek eksiltip 52 ilmek ile devam edin 38 cm ters örgü ördükten sonra kolu 3+2+1 olarak kesin20 cm daha örüp omuzları kapatın omuz genişliği 10cm olacak ÖN: 22 ilmekle başlayıp 2cm lastik örün sonra ki sırada 8 ters,2 ilmeği bir alın,1 ip dolayıp, 1 ters örün. 6 düz(saç örgü için) 1 ters örüp 2 ilmeği bir alın,1 ip dolayıp,1 düz ile bitirin bu şekilde 38 cm örerken saç örgülerini 12 sırada bir döndürün kolu 3+2+1 olarak kestikten sonra delikli ajuru yaka kenarında,saç örgüsünün diğer tarafından omuza kadar devam edin kol kesiminden sonra yaka için 4 sırada bir 1′er ilmek eksiltin CEP: 12ilmek başlayıp 2 ters -2düz 4 cm lastik ördükten sonra edene dikin KOL: 30 ilmek başlayıp 2cm lastik örün kol kesimine kadar 38 cm ters(haraşo)örerken belli aralıklarla sağ ve soldan 1′er ilmek olmak üzre 4 defa ilmek arttırın kolu 3+2+1 olarak kesin YAKA LASTİĞİ: arka ortaya kadar 90 ilmek çıkarıp 16 sıra lastik örün sonra etekten başlayarak 50 ilmeği kesin kalan ilmekleri 18 sıra örüp ,16 ilmek daha kesin kalan ilmekleri 25 sıra örüp ,12ilmek daha kesin kalan ilmekleri 15 sıra daha örüp 40. sırada bitirin aynı işlemleri diğer yakaya da uygulayıp ensede dikin 01:12 - 11/11/2009 - Yorum {yok} - yorum yazEtiketler : Anlatımlı Uzun Örgü Bayan Hırkası Örneği ve Yapılışı Şal örnekleri ve Şal modelleriSizler için bulduğumuz şal örnekleri ve şal modelleri 2010 yılının örnekleri.Şal örnekleri resimlerinin görmek için resimlerin üstünü tıklayınız.
15:30 - 27/10/2009 - Yorum {yok} - yorum yazEtiketler : şal örnekleri, şal modelleri Fenerbahçe Galatasaray 2009 derbi maçı öncesi sonrası taraftar YFenerbahçe Galatasaray 2009 derbi maçı öncesi sonrası kadıköyden taraftar Yorum ve Röportaj canlı yayın , Fenerbahçe Galatasaray 2009 derbi maçının golleri ve taraftar olaylarıAdem abinin Fenerbahçe Galatasaray 2009 derbi maçı öncesi yorumu Mustafa Abinin Fenerbahçe Galatasaray 2009 derbi maçı öncesi yorumu Serkan'ın Fenerbahçe Galatasaray 2009 derbi maçı öncesi yorumu Mehmet'in Fenerbahçe Galatasaray 2009 derbi maçı öncesi yorumu 12:37 - 25/10/2009 - Yorum {yok} - yorum yazEtiketler : Fenerbahçe Galatasaray 2009 derbi maçı, öncesi sonrası taraftar Yorum ve Röportaj canlı yayın Wency Cornejo LYRICS,Hanggang ,Wency Cornejo Hanggang Lyrics, WeWency Cornejo lyrics, Wency Cornejo music song lyrics, Hanggang ,Wency Cornejo Hanggang SONG LYRICS, Wency Cornejo Hanggang letrasIlang ulit mo bang, itinatanong sakin kung hanggang saan,hanggang saan, hanggang kailan, hanggang kailan mag tatagal, ang aking pag mamahal, hanggang may himig pa akong naririnig, dito sa aking daig-dig hanggang may musika akong tinataglay, ika'y iniibig giliw wag mo sanang isiping ikaw ay aking lilisanin, di ko magagawang lumayo sayong piling at nais kong malaman mo kung gaano kita kamahal hanggang ang diwa ko'y tanging sayo laan mamahalin kailanman hanggang pag ibig ko'y hanggang walang hanggan tanging ikaw lamang hanggang may himig pa akong naririnig dito sa aking daig-dig hanggang may musika akong tinataglay ika'y iniibig giliw wag mo sanang isiping ikaw ay aking lilisanin di ko magagawang lumayo sayong piling at nais kong malaman mo kung gaano kita kamahal hanggang may puso akong marunong mag mahal na ang sinisigaw ay lagi ng ikaw hanggang saan hanggang kailan hanggang kailan kita mahal hanggang ang buhay ko'y kunin ng may kapal giliw wag mo sanang isipin ikaw ay aking lilisanin di ko magagawang lumayo sayong piling hanggang may pag ibig laging isisigaw, tanging ikaw hanggang may pag ibig laging isisigaw, tanging ikaw 14:56 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Wency Cornejo lyrics, Wency Cornejo music song lyrics, Hanggang , Wency Cornejo Hanggang SONG LYRICS, Wency Cornejo Hang Vicente Fernandez LYRICS,Mujeres Divinas ,Vicente Fernandez MujeVicente Fernandez lyrics, Vicente Fernandez music song lyrics, Mujeres Divinas ,Vicente Fernandez Mujeres Divinas SONG LYRICS, Vicente Fernandez Mujeres Divinas letrasHablando de mujeres y traiciones se fueron consumiendo las botellas pidieron que cantara mis canciones y yo cant unas dos en contra de ellas De pronto que se acerca un caballero su pelo ya pintaba algunas canas me dijo le suplico compaero que no hable en mi presencia de las damas Le dije que nosotros simplemente hablamos de lo mal que nos pagaron que si alquien opinaba diferente sera porque jams lo traicionaron(x2) Me dijo yo soy uno de ustedes que ms a soportado los fracasos y siempre me dejaron las mujeres llorando y con el alma hecha pedazos Mas nunca les reprocho mis heridas se tiene que sufrir cuando se ama las horas mas hermosas de mi vida las he pasado al lado de una dama pudieramos morir en las cantinas y nunca lograriamos olvidarlas mujeres o mujeres tan divinas no queda otro camino que adorarlas(x2) 14:54 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Vicente Fernandez lyrics, Vicente Fernandez music song lyrics, Mujeres Divinas , Vicente Fernandez Mujeres Divinas SONG Laura Pausini LYRICS,It's not goodbye ,Laura Pausini It'Laura Pausini lyrics, Laura Pausini music song lyrics, It's not goodbye ,Laura Pausini It's not goodbye SONG LYRICS, Laura Pausini It's not goodbye letrasAnd what if I never kiss your lips again Or feel the touch of your sweet embrace How would I ever go on Without you there's no place to belong Well someday love is gonna lead you back to me But 'til it does I'll have an empty heart So I'll just have to believe Somewhere out there you thinking of me CHORUS: Until the day I'll let you go Until we say our next hello It's not goodbye 'Til I see you again I'll be right here rememberin' when And if time is on our side There will be no tears to cry On down the road There is one thing I can't deny It's not goodbye You'd think I'd be strong enough to make it through And rise above when the rain falls down But it's so hard to be strong When you've been missin' somebody so long It's just a matter of time I'm sure But time takes time and I can't hold on So won't you try as hard as you can To put my broken heart together again CHORUS 14:52 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Laura Pausini lyrics, Laura Pausini music song lyrics, It's not goodbye , Laura Pausini It's not goodbye SONG LYRICS, Lil Jon And The Eastside Boys LYRICS,get low ,Lil Jon And The EaLil Jon And The Eastside Boys lyrics, Lil Jon And The Eastside Boys music song lyrics, get low ,Lil Jon And The Eastside Boys get low SONG LYRICS, Lil Jon And The Eastside Boys get low letras[Chorus] 3,6,9 damn she fine move it to you sing it to me one mo time Get low, Get low [6x] To the window, to the wall, (to the wall) To the sweat drip down my balls (my balls) To all these bitches crawl (crawl) To all skit skit motherfucker (motherfucker!) all skit skit got damn (Got dam) To all skit skit motherfucker (motherfucker!) all skit skit got damn (Got dam) Shorty crunk so fresh so clean can she fuck that Question been harassing me in the mind this women is fine I done came to the club about 50th 11 times now can I play with yo Panty line club owner said I need to calm down security guard go to sweating Me now nigga drunk then a motherfucker threaten me now She getting crunk in the club I mine she work Then I like to see the female twerking taking the clothes off BUCKEY naked ATL. Hoe don't disrespect it Pa pop yo pussy like this cause yin yang twins in this bitch Lil Jon and the East side boys wit me and we all like to see Ass and tities Now bring yo ass over here hoe and let me see you get low if you want this Thug Now take it to the floor (to the floor) and if yo ass wanta act you can keep yo ass where you at 3,6,9 standing real fine move it to you sing it to me one mo time Get low, Get low [6x] To the window, to the wall, (to dat wall) To the sweat drip down my balls (MY BALLS) To all these bitches crawl (crawl) To all skit skit motherfucker (motherfucker!) all skit skit got dam (Got dam) To all skit skit motherfucker (motherfucker!) all skit skit got dam (Got dam) Let me see you get low you scared you, scared you Drop dat ass to the floor you scared you, scared you Let me see you get low you scared you, scared you Drop dat ass to the floor you scared you, scared you Drop dat ass ya shake it fast ya Pop dat ass to the left and the right ya Drop dat ass ya shake it fast ya Pop dat ass to the left and the right ya Now back,back,back it up a back,back,back it up a back,back,back it up a back,back,back it up Now stop ( O) then wiggle wit ya Now stop ( O) then wiggle wit ya Now stop ( O) then wiggle wit ya Now stop ( O) then wiggle wit ya 3,6,9 standing real fine move it to you sing it to me one mo time Get low, Get low [6x] To the window, to the wall, (to dat wall) To the sweat drip down my balls (MY BALLS) To all these bitches crawl (crawl) To all skit skit motherfucker (motherfucker!) all skit skit got dam (Got dam) To all skit skit motherfucker (motherfucker!) all skit skit got dam (Got dam) Now give me my doe back and go get ya friend Stupid bitch standing there while I'm drinking my hen Steady looking at me Still asking questions Times up nigga pass me another contestant Hoe move to the left if you ain't bout 50th Done talk through 3 or 4 songs already looking at a nigga with yo palm all out bitch I ain't even seen you dance Twerk something baby work something baby Pop yo pussy on the pole do yo thang baby Slide down dat bitch wit yo little bit then stop Get back on the floor catch yo balance then drop Now bring it back up clap yo ass like hands I just wanna see yo ass drity dance yin yang we done again And put it on the map like annnnn 3,6,9 standing real fine move it to you sing it to me one mo time Get low, Get low [6x] To the window, to the wall, (to dat wall) To the sweat drip down my balls (MY BALLS) To all these bitches crawl (crawl) To all skit skit motherfucker (motherfucker!) all skit skit got dam (Got dam) To all skit skit motherfucker (motherfucker!) all skit skit got dam (Got dam) Got dam (Got dam) ya ya'll twreking alittle bit ladies But ya got to twrek alittle bit harder then dat now right now I need all the ladies dat know they look good tonite (where my sexy ladies) we want ya'll to do this shit like this Bend over to the front touch toes back dat ass up and down and get low (get low) Bend over to the front touch toes back dat ass up and down and get low (get low) Bend over to the front touch toes back dat ass up and down and get low (get low) Bend over to the front touch toes back dat ass up and down and get low (get low) 3,6,9 standing real fine move it to you sing it to me one mo time Get low, Get low [6x] To the window, to the wall, (to dat wall) To the sweat drip down my balls (MY BALLS) To all these bitches crawl (crawl) To all skit skit motherfucker (motherfucker!) all skit skit got dam (Got dam) To all skit skit motherfucker (motherfucker!) all skit skit got dam (Got dam) 14:50 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Lil Jon And The Eastside Boys lyrics, Lil Jon And The Eastside Boys music song lyrics, get low , Lil Jon And The Eastsid Placebo LYRICS,Running Up That Hill ,Placebo Running Up That HilPlacebo lyrics, Placebo music song lyrics, Running Up That Hill ,Placebo Running Up That Hill SONG LYRICS, Placebo Running Up That Hill letras( Kate Bush cover )
It doesn't hurt me. You wanna feel how it feels? You wanna know, know that it doesn't hurt me? You wanna hear about the deal I'm making? You *be running up that hill* You and me *be running up that hill* And if I only could, Make a deal with God, And get him to swap our places, Be running up that road, Be running up that hill, Be running up that building. If I only could, oh... You don't want to hurt me, But see how deep the bullet lies. Unaware that I'm tearing you asunder. There is thunder in our hearts, baby. So much hate for the ones we love? Tell me, we both matter, don't we? You, *be running up that hill* You and me, *be running up that hill* You and me won't be unhappy. And if I only could, Make a deal with God, And get him to swap our places, Be running up that road, Be running up that hill, Be running up that building, If I only could, oh... 'C'mon, baby, c'mon, c'mon, darling, Let me steal this moment from you now. C'mon, angel, c'mon, c'mon, darling, Let's exchange the experience, oh...' And if I only could, Make a deal with God, And get him to swap our places, Be running up that road, Be running up that hill, With no problems. x2 'If I only could, be running up that hill.' x7 14:48 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Placebo lyrics, Placebo music song lyrics, Running Up That Hill , Placebo Running Up That Hill SONG LYRICS, Placebo Runn Phantom Of The Opera LYRICS,Wishing You Were Somehow Here AgainPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Wishing You Were Somehow Here Again ,Phantom Of The Opera Wishing You Were Somehow Here Again SONG LYRICS, Phantom Of The Opera Wishing You Were Somehow Here Again letrasA GRAVEYARD (A mausoleum with hanging moss. In the centre a pyramid of skulls in front of a cross.) CHRISTINE You were once my one companion . . . you were all that mattered . . . You were once a friend and father - then my world was shattered . . . Wishing you were somehow here again . . . wishing you were somehow near . . . Sometimes it seemed if I just dreamed, somehow you would be here . . . Wishing I could hear your voice again . . . knowing that I never would . . . Dreaming of you won't help me to do all that you dreamed I could . . . Passing bells and sculpted angels, cold and monumental, seem, for you, the wrong companions - you were warm and gentle . . . Too many years fighting back tears . . . Why can't the past just die . . .? Wishing you were somehow here again . . . knowing we must say goodbye . . . Try to forgive . . . teach me to live . . . give me the strength to try . . . No more memories, no more silent tears . . . No more gazing across the wasted years . . . Help me say goodbye
14:25 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Wishing You Were Somehow Here Again , Phantom Of Th Phantom Of The Opera LYRICS,Why So Silent ,Phantom Of The OperaPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Why So Silent ,Phantom Of The Opera Why So Silent SONG LYRICS, Phantom Of The Opera Why So Silent letrasAt the height of the activity a grotesque figure suddenly appears at the lop of the staircase. Dressed all in crimson, with a death's head visible inside the hood of his robe, the PHANTOM has come to the party. With dreadful wooden steps he descends the stairs and takes the centre of the stage) PHANTOM Why so silent, good messieurs? Did you think that I had left you for good? Have you missed me, good messieurs? I have written you an opera! (He takes from under his robe an enormous bound manuscript) Here I bring the finished score - "Don Juan Triumphant" ! (He throws it to ANDRE) I advise you to comply - my instructions should be clear - Remember there are worse things than a shattered chandelier . . . (CHRISTlNE, mesmerized, approaches as the PHANTOM beckons her. He reaches out, grasps the chain that holds the secret engagement ring, and rips it from her throat) Your chains are still mine - you will sing for me! (ALL cower in suspense as the music crescendos, until suddenly, his figure evaporates) BACKSTAGE (GIRY is hurrying across. RAOUL appears and calls after her) RAOUL Madame Giry. Madame Giry . . . GIRY Monsieur, don't ask me - I know no more than anyone else. (She moves off again. He stops her) RAOUL That's not true. You've seen something, haven't you ? GIRY (uneasily) I don't know what I've seen . . . Please don't ask me, monsieur . . . RAOUL (desperately) Madame, for all our sakes . . . GIRY (She has glanced nervously about her and suddenly deciding to trust him, cuts in): Very well. It was years ago. There was a travelling fair in the city. Tumblers, conjurors, human oddities . . . RAOUL Go on . . . GIRY (trance-like, as she retraces the past) And there was . . . I shall never forget him: a man . . Iocked in a cage . . . RAOUL In a cage . . ? GIRY A prodigy, monsieur! Scholar, architect, musician . RAOUL (piecing together the jigsaw) A composer . . . GIRY And an inventor too, monsieur. They boasted he had once built for the Shah of Persia, a maze of mirrors . . . RAOUL (mystified and impatient, cuts in) Who was this man . . .? GIRY (with a shudder) A freak of nature . . . more monster than man . . . RAOUL (a murmur) Deformed . . .? GIRY From birth, it seemed . . . RAOUL My God . . . GIRY And then . . . he went missing. He escaped. RAOUL Go on. GIRY They never found him it was said he had died . . . RAOUL (darkly) But he didn't die, did he? GIRY The world forgot him, but I never can . . . For in this darkness I have seen him again . . . RAOUL And so our Phantom's this man . . . GIRY (starts from her daze and turns to go) I have said too much, monsieur. (She moves off into the surrounding blackness) And there have been too many accidents . . . RAOUL (ironical) Accidents?! GIRY Too many . . . (And, before he can question her further, she has disappeared) RAOUL (running after her) Madame Giry . .
14:23 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Why So Silent , Phantom Of The Opera Why So Silent Phantom Of The Opera LYRICS,Why Have You Brought Me Here ,PhantoPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Why Have You Brought Me Here ,Phantom Of The Opera Why Have You Brought Me Here SONG LYRICS, Phantom Of The Opera Why Have You Brought Me Here letrasTHE ROOF OF THE OPERA HOUSE (A statue of 'La Victoire Ailee' - the same as that which tops the proscenium. It is twilight. CHRISTINE and RAOUL rush on) RAOUL Why have you brought us here? CHRISTINE Don't take me back there! RAOUL We must return! CHRISTINE He'll kill me! RAOUL Be still now . . . CHRISTINE His eyes will find me there! RAOUL Christine, don't say that . . . CHRISTINE Those eyes that burn! RAOUL Don't even think it . . . CHRlSTlNE And if he has to kill a thousand men - RAOUL Forget this waking nightmare . . . CHRISTINE The Phantom of the Opera will kill . . . RAOUL This phantom is a fable . . . Believe me . . . CHRISTINE . . . and kill again! RAOUL There is no Phantom of the Opera . . . CHRISTINE My God, who is this man . . . RAOUL My God, who is this man . . . CHRISTINE . . . who hunts to kill . . .? RAOUL . . . this mask of death . . .? CHRISTINE I can't escape from him . . . RAOUL Whose is this voice you hear . . . CHRISTINE . . .I never will! RAOUL . . . with every breath . . .? BOTH And in this labyrinth, where night is blind the Phantom of the Opera is here: inside your/my mind . . . RAOUL There is no Phantom of the Opera . .
14:22 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Why Have You Brought Me Here , Phantom Of The Opera Phantom Of The Opera LYRICS,Wandering Child ,Phantom Of The OperPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Wandering Child ,Phantom Of The Opera Wandering Child SONG LYRICS, Phantom Of The Opera Wandering Child letrasThe PHANTOM emerges from behind the cross) PHANTOM (very soft and enticing) Wandering child . . . so lost . . . so helpless . . . yearning for my guidance . . . (Bewildered, CHRISTINE looks up, and murmurs breathlessly): CHRISTINE Angel . . . or father . . . friend . . . or Phantom . . . ? Who is it there, staring . . . ? PHANTOM (more and more hypnotic) Have you forgotten your Angel . . .? CHRISTINE Angel . . . oh, speak . . . What endless longings echo in this whisper . . .! (RAOUL appears in the shadows and watches for a moment transfixed) PHANTOM (now drawing CHRISTINE towards him) Too long you've wandered in winter . . . RAOUL (to himself a murmur) Once again she is his . . . PHANTOM Far from my far-reaching gaze . . . RAOUL Once again she returns . . . CHRISTINE (increasingly mesmerized) Wildly my mind beats against you . . . PHANTOM You resist . . . PHANTOM/CHRISTINE Yet your/the soul obeys . . . RAOUL . . . to the arms of her angel . . . angel or demon . . . still he calls her . . . luring her back, from the grave . . . angel or dark seducer . . .? Who are you, strange angel . . .? PHANTOM Angel of Music! You denied me, turning from true beauty . . . Angel of Music! Do not shun me . . . Come to your strange Angel . . . CHRISTINE Angel of Music! I denied you, turning from true beauty . . . Angel of Music! My protector . . . Come to me, strange Angel . . . (CHRISTINE moves towards the figure of the PHANTOM) PHANTOM (beckoning her) I am your Angel of Music . . . Come to me: Angel of Music . . . RAOUL (suddenly calling out) Angel of darkness! Cease this torment! (Inexorably the PHANTOM continues to beckon CHRISTINE) PHANTOM I am your Angel of Music . . . Come to me: Angel of Music . . . RAOUL (in desperation) Christine! Christine listen to me! Whatever you may believe, this man . . . this thing . . . is not your father! (to the PHANTOM) Let her go! For God's sake, let her go! Christine ! (Coming out of her trance CHRISTINE turns and mouths the words): CHRISTINE Raoul . .
14:20 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Wandering Child , Phantom Of The Opera Wandering Ch Phantom Of The Opera LYRICS,Twisted Every Way ,Phantom Of The OpPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Twisted Every Way ,Phantom Of The Opera Twisted Every Way SONG LYRICS, Phantom Of The Opera Twisted Every Way letrasCHRISTINE turns away unhappily) CHRISTINE Twisted every way, what answer can I give? Am I to risk my life, to win the chance to live? Can I betray the man who once inspired my voice? Do I become his prey? Do I have any choice? He kills without a thought, he murders all that's good . . . I know I can't refuse and yet, I wish I could . . . Oh God - if I agree, what horrors wait for me in this, the Phantom's opera . . .? RAOUL (to CHRISTINE, very tenderly) Christine, Christine, don't think that I don't care - but every hope and every prayer rests on you now . . . (CHRISTINE, overcome by her conflicting emotions turns away and hurries out. RAOUL strides forward and addresses an imaginary PHANTOM) RAOUL So, it is to be war between us! But this time, clever friend, the disaster will be yours! (As lights fade, ATTENDANTS stretch a red, velvet rope across the downstage area. OTHERS bring on gilt chairs. CARLOTTA PIANGI and GIRY move downstage to take their places for the next scene) A REHEARSAL FOR DON JUAN TRIUMPHANT (REYER supervises the learning of the new piece from the piano. Present are PIANGI, CHRISTINE, CARLOTTA, GlRY and CHORUS) CHORUS Hide our sword now wounded knight! Your vainglorious gasconnade brought you to your final fight for your pride, high price you've paid! CHRISTINE Silken couch and hay-filled barn both have been his battlefield. PIANGI (wrong) Those who tangle with Don Juan . . . REYER (stopping him) No, no, no! ChorusQrest, please. Don Juan, Signor Piangi - here is the phrase. (He demonstrates it) "Those who tangle with Don Juan . . ." If you please? PIANGI (still wrong) Those who tangle with Don Juan . . . REYER No, no. Nearly - but no. "Those who tan, tan, tan . . ." PIANGI (still wrong) Those who tangle with Don Juan . . . CARLOTTA (to the OTHERS) His way is better. At least he make it sound like music! GIRY (to CARLOTTA) Signora - would you speak that way in the presence of the composer? CARLOTTA (deaf to the implications of this remark) The composer is not here. And if he were here, I would . . . GIRY (cutting in, ominous) Are you certain of that, Signora . . .? REYER So, once again - after seven. (He gives the note and counts in) Five, six, seven . . . PIANGI (wrong again) Those who tangle with Don Juan . . . (Gradually EVERYONE starts either to talk or to practice the phrase simultaneously) CARLOTTA Ah, piu non posso! What does it matter what notes we sing? GIRY Have patience, Signora. CARLOTTA No-one will know if it is right or if it is wrong. No-one will care if it is right, or if it is wrong. CARLOTTA (mocking) Those who tangle with Don Juan! PIANGI (trying again) Those who tan . . . tan . . . (to CHRISTINE) Is right? CHRISTINE (to PIANGI) Not quite, Signor: Those who tan . . . tan . . . REYER (attempting lo restore order) Ladies . . . Signor Piangi . . . if you please . . . (REYER thumps the piano keys, then leaves the piano, and attempts to attract attention using signals. Al the height of the mayhem, the piano suddenly begins to demonstrate the music unaided. It plays with great force and rhythm. ALL fall silent and freeze then suddenly start to sing the piece robotically and accurately. As they continue to sing, CHRISTINE moves away from the group.) ALL EXCEPT CHRISTINE Poor young maiden! For the thrill on your tongue of stolen sweets you will have to pay the bill - tangled in the winding sheets! (As the ENSEMBLE becomes background, CHRISTINE, transfixed, sings independently): CHRISTINE In sleep he sang to me, in dreams he came . . . that voice which calls to me and speaks my name . . . (The scene begins to change. Trance-like, CHRISTINE moves slowly upstage. We hear the distant sound of bells) Little Lotte thought of everything and nothing . . . Her Father promised her that he would send her the Angel of Music . . . Her father promised her . . . Her father promised her . .
14:19 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Twisted Every Way , Phantom Of The Opera Twisted Ev Phantom Of The Opera LYRICS,Track Down This Murderer ,Phantom OfPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Track Down This Murderer ,Phantom Of The Opera Track Down This Murderer SONG LYRICS, Phantom Of The Opera Track Down This Murderer letrasHe hears the offstage voices of the pursuing MOB) MOB (offstage) Track down this murderer! He must be found! PHANTOM (moving off again) Hounded out by everyone! Met with hatred everywhere! No kind word from anyone! No compassion anywhere! Christine, Christine . . . Why, why . . .? (RAOUL and GIRY appear above. They make their way down, meeting a pack of rats. GlRY screams and lowers her guard. The rats and the RATCATCHER pass them. GIRY raises her hand again) GIRY Your hand at the level of your eyes! RAOUL . . . at the level of your eyes . . . MOB (offstage) Your hand at the level of your eyes! GIRY He lives across the lake, monsieur. This is as far as I dare go. RAOUL Madame Giry, thank you. (She turns to go back up the slope. RAOUL looks at the water. He removes his coat and plunges in. The MOB appears at the top of the slope. They come down to the lake edge, their torches flickering.) MOB Track down this murderer - He must be found! Hunt out this animal, who runs to ground! Too long he's preyed on us - but now we know: the Phantom of the Opera is there deep down below . . . He's here: the Phantom of the Opera . . . (They turn back up the slope. Perhaps there is another way in. The gate to the lair descends, as the rest of the lair appears.) BEYOND THE LAKE (The dummy of CHRlSTlNE sits crumpled on a large throne. The PHANTOM drags CHRISTINE roughly out of the boat. She frees herself and backs away as he stares blackly out front. Braving her terror, she addresses him fiercely). CHRISTINE Have you gorged yourself at last, in your lust for blood? (no reply) Am I now to be prey to your lust for flesh? PHANTOM (Coldly) That fate, which condemns me to wallow in blood has also denied me the joys of the flesh . . . this face - the infection which poisons our love . . . (He lakes the bridal veil front the dummy, and moves slowly towards her) This face, which earned a mother's fear and loathing . . . A mask, my first unfeeling scrap of clothing . . . (He places the veil on her head) Pity comes too late - turn around and face your fate: an eternity of this before your eyes! (They are almost touching. She looks calmly and coldly into his face) CHRISTINE This haunted face holds no horror for me now . . . It's in your soul that the true distortion lies . . . (The PHANTOM suddenly senses RAOUL'S presence. Behind the portcullis, RAOUL climbs out of the water) PHANTOM Wait! I think, my dear, we have a guest! (to RAOUL) Sir, this is indeed an unparalleled delight! I had rather hoped that you would come. And now my wish comes true - you have truly made my night! RAOUL (pleading, grasping the bars of the gate) Free her! Do what you like only free her! Have you no pity? PHANTOM (to CHRISTINE, dryly) Your lover makes a passionate plea! CHRISTINE Please, Raoul, it's useless . . . RAOUL I love her! Does that mean nothing? I love her! Show some compassion . . . PHANTOM (snarls furiously at RAOUL) The world showed no compassion to me! RAOUL Christine . . . Christine . . . (to PHANTOM) Let me see her . . . PHANTOM (drily) Be my guest, sir . . (He gestures, and the fence rises. RAOUL enters) Monsieur, I bid you welcome! Did you think that I would harm her? Why should I make her pay for the sins which are yours? (So saying, he takes the Punjab lasso and, before RAOUL has a chance to move, catches him by the neck. The end of the rope, of which the PHANTOM has let go, remains magically suspended in mid-air) (taunting) Order your fine horses now! Raise up your hand to the level of your eyes! Nothing can save you now - except perhaps Christine . . . (He turns to her) Start a new life with me - Buy his freedom with your love! Refuse me, and you send your lover to his death! This is the choice - This is the point of no return! CHRISTINE (to the PHANTOM) The tears I might have shed for your dark fate grow cold, and turn to tears of hate . . . RAOUL (despairing) Christine, forgive me please forgive me . . . I did it all for you, and all for nothing . . . CHRISTINE (looking at the PHANTOM but to herself) Farewell my fallen idol and false friend . . . One by one I've watched illusions shattered . . . PHANTOM Past all hope of cries for help: no point in fighting - RAOUL Either way you choose, he has to win . . . PHANTOM For either way you choose, you cannot win! So, do you end your days with me, or do you send him to his grave? RAOUL (to PHANTOM) Why make her lie to you, to save me? CHRISTINE Angel of Music . . . PHANTOM Past the point of no return - RAOUL For pity's sake, Christine, say no! CHRISTINE . . . why this torment? PHANTOM . . . the final threshold . . . RAOUL Don't throw your life away for my sake . . . CHRISTINE When will you see reason . . .? PHANTOM His life is now the prize which you must earn! RAOUL I fought so hard to free you . . . CHRISTINE Angel of Music . . . PHANTOM You've passed the point of no return . . . CHRISTINE . . . you deceived me - I gave my mind blindly . . . PHANTOM (to CHRISTINE) You try my patience - make your choice! (She reflects for a moment, then with resolution moves slowly towards the PHANTOM) CHRISTINE (quietly at first, then with growing emotion) Pitiful creature of darkness . . . What kind of life have you known . . .? God give me courage to show you you are not alone . . . (Now calmly facing him, she kisses him long and full on the lips. The embrace lasts a long time. RAOUL watches in horror and wonder. The PHANTOM lakes a lighted candle and holds it above RAOUL's head. A tense moment. But the suspended rope suddenly falls harmlessly - the PHANTOM has burned the thread by which the noose was held. Resigned, he addresses RAOUL, as we hear the offstage voices of the approaching MOB) MOB Some: Track down this murderer - he must be found! Hunt out this animal, who runs to ground! Too long he's preyed on us - but now we know: the Phantom of the Opera is there deep down below . . Others: Who is this monster, this murdering beast? Revenge for Piangi! Revenge for Buquet! This creature must never go free . . . PHANTOM Take her - forget me - forget all of this . . . Leave me alone - forget all you've seen . . . Go now - don't let them find you! Take the boat - leave me here - go now, don't wait . . . Just take her and go - before it's too late . . . Go . . . Go now - go now and leave me! (RAOUL and CHRISTINE move off towards the boat. The PHANTOM looks mockingly at his mask. The musical box starts up magically, and he listens to it) Masquerade . . . Paper faces on parade . . . Masquerade . . . Hide your face so the world will never find you . . . (CHRISTINE re-enters and walks slowly towards him. She takes off her ring and gives it to the PHANTOM) PHANTOM Christine, I love you . . . (She hurries off The PHANTOM puts the ring on his finger) CHRISTINE (In the distance, to RAOUL, as the boat pulls away in the shadow) Say you'll share with me, one love, one lifetime . . . say the word and I will follow you . . RAOUL Share each day with me . . . CHRISTINE . . . each night . . . BOTH . . . each morning . . . PHANTOM (looking after her) You alone can make my song take flight - it's over now, the music of the night . . . (The PHANTOM walks slowly towards the throne. He takes his place on it, sitting on his cloak. The MOB including MEG, appears above, climbing down the portcullis. As the MOB enters the lair, the PHANTOM wraps his cloak around himself and disappears. MEG crosses to the throne and picks up his mask in her small hand) END OF ACT 2
14:16 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Track Down This Murderer , Phantom Of The Opera Tra Phantom Of The Opera LYRICS,Think of Me ,Phantom Of The Opera ThPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Think of Me ,Phantom Of The Opera Think of Me SONG LYRICS, Phantom Of The Opera Think of Me letrasREHEARSALS FOR "HANNIBAL" BY CHALUMEAU (We have reached the great choral scene in which HANNIBAL and his army return to save Carthage from the Roman invasion under Scipio. HANNIBAL is UBALDO PIANGI; ELISSA, Queen of Carthage (his mistress) is CARLOTTA GUIDICELLI. The two leading SLAVE GIRLS are played by MEG GIRY and CHRISTINE DAAE. MME. GIRY is the ballet mistress. M. REYER, the repetiteur, is in charge. We join the opera towards the end of ELISSA's (CARLOTTA's) great aria. She is alone, holding a pre. from the approaching HANNIBAL, a bleeding severed head) CARLOTTA (at the climax of an extravagant cade) This trophy from our saviours, from the enslaving force of Rome! (A STAGE HAND carries a ladder across the stage. OTHERS are seen still constructing parts of the scenery) GIRLS' CHORUS With feasting and dancing and song, tonight in celebration we greet the victorious throng, returned to bring salvation! MEN'S CHORUS The trumpets of Carthage resound ! Hear, Romans, now and tremble! Hark to our step on the ground! ALL Hear the drums - Hannibal comes! (PIANGI enters, as HANNIBAL) PIANGI (HANNIBAL) Sad to return to find the land we love threatened once more by Roma's far-reaching grasp. REYER (interrupting him) Signor . . . if you please: "Rome". We say "Rome' not "Roma" PIANGI Si, si, Rome, not Roma. Is very hard for me. (practising) Rome . . . Rome . . . (Enter LEFEVRE, the retiring manager of the Opera, with M. FIRMIN and M. ANDRE, to whom he has just sold it) REYER (to PIANGI) Once again, then, if you please, Signor: "Sad to return . . ." LEFEVRE (to ANDRE and FIRMIN) This way, gentlemen, this way. Rehearsals, as you see, are under way, for a new production of Chalumeau's "Hannibal". (seeing a hiatus in the rehearsal, LEFEVRE attempts to attract attention.) LEFEVRE Ladies and gentlemen, some of you may already, perhaps, have met M. Andre and M. Firmin ... (the new managers are politely bowing, when REYER interrupts) REYER I'm sorry, M. Lefevre, we are rehearsing. If you wouldn't mind waiting a moment? LEFEVRE My apologies, M. Reyer. Proceed, proceed ... REYER Thank you, monsieur (turning back to PIANGI). "Sad to return..." Signor ... LEFEVRE (sotto voce to ANDRE and FIRMIN) M. Reyer, our chief repetiteur. Rather a tyrant, I'm afraid. (the rehearsal continues) PIANGI (HANNIBAL) Sad to return to find the land we love threatened once more by Rome's far-reaching grasp. Tomorrow we shall break the chains of Rome. Tonight, rejoice - your army has come home. BALLET GIRLS begin their dance. LEFEVRE, ANDRE and FIRMIN stand centr-stage watching the ballet. They are in the way. The ballet continues under the following dialogue.) LEFEVRE (indicating PIANGI) Signor Piangi, our principal tenor. He does play so opposite La Carlotta. GIRY (exasperated by their presence, bangs her cane angrily on the stage) Gentlemen, please! If you would kindly move to one side? LEFEVRE My apologies, Mme. Giry. (leading ANDRE and FIRMIN aside) Mme. Giry, our ballet mistress. I don't mind confessing, M. Firmin, I shan't be sorry to be rid of the whole blessed business. FIRMIN I keep asking you, monsieur, why exactly are you retiring? LEFEVRE (ignoring this, calls his attention to the continuing ballet) We take a particular pride here in the excellence of our ballets. (MEG becomes prominent among the dancers) ANDRE Who's that girl, Lefevre? LEFEVRE Her? Meg Giry, Madame Giry's daughter. Promising dancer, M. Andre, most promising. (CHRISTINE becomes prominent. She has absent- mlndedly fallen out-of-step) GIRY (spotting her, bangs her cane again) You! Christine Daae! Concentrate, girl! MEG (quietly, to CHRISTINE) Christine . . . What's the matter? FIRMIN (to LEFEVRE) Daae? Curious name. LEFEVRE Swedish. ANDRE Any relation to the violinist? LEFEVRE His daughter, I believe. Always has her head in the clouds, I'm afraid. (The ballet continues to its climax and ends. The CHORUS resumes) CHORUS Bid welcome to Hannibal's guests - the elephants of Carthage! As guides on our conquering quests, Dido sends Hannibal's friends! (the ELEPHANT, a life-sized mechanical replica, enters. PIANGI is lifted, in triumph, onto its back) CARLOTTA (ELISSA) Once more to my welcoming arms my love returns in splendour! PIANGI (HANNIBAL) Once more to those sweetest of charms my heart and soul surrender! CHORUS The trumpeting elephants sound hear, Romans, now and tremble! Hark to their step on the ground hear the drums! Hannibal comes! (At the end of the chorus LEFEVRE claps his hands for silence. The elephant is led off. Two stage-hands are revealed operating it from within) LEFEVRE Ladies and gentlemen - Madame Giry, thank you - may I have your attention, please? As you know, for some weeks there have been rumours of my Imminent retirement. I can now tell you that these were all true and it is my pleasure to introduce to you the two gentlemen who now own the Opera Populaire, M. Richard Firmin and M. Gilles Andre. (Polite applause. Some bowing. CARLOTTA makes her presence felt) Gentlemen, Signora Carlotta Giudicelli, our leading soprano for five seasons now. ANDRE Of course, of course. I have experienced all your greatest roles, Signora. LEFEVRE And Signor Ubaldo Piangi. FIRMIN An honour, Signor. ANDRE If I remember rightly, Elissa has a rather fine aria in Act Three of "Hannibal". I wonder, Signora, if, as a personal favour, you would oblige us with a private rendition? (Somewhat acerbic). Unless, of course, M. Reyer objects . . . CARLOTTA My manager commands . . . M. Reyer? REYER My diva commands. Will two bars be sufficient introduction? FIRMIN Two bars will be quite sufficient REYER (ensuring that CARLOTTA is ready) Signora? CARLOTTA Maestro. (The introduction is played on the piano) CARLOTTA Think of me, think of me fondly, when we've said goodbye. Remember me once in a while - please promise me you'll try. When you find that, once again, you long to take your heart . . . (As CARLOTTA is singing a backdrop crashes to the floor cutting her off from half the cast) MEG/BALLET GIRLS/CHORUS He's here: the Phantom of the Opera . . . He is with us . . . It's the ghost . . . PIANGI (looking up, furiously) You idiots! (He rushes over to CARLOTTA) Cara! Cara! Are you hurt? LEFEVRE Signora! Are you all right? Buquet! Where is Buquet ? PIANGI Is no one concerned for our prima donna? LEFEVRE Get that man down here ! (to ANDRE and FIRMIN) Chief of the flies. He's responsible for this. (The drop is raised high enough to reveal upstage an old stagehand, JOSEPH BUQUET, holding a length of rope, which looks almost like a noose) LEFEVRE Buquet! For God's sake, man, what's going on up there? BUQUET Please monsieur don't look at me: as God's my witness, I was not at my post. Please monsieur there's no one there: and if there is, well then, it must be a ghost . . . MEG (looking up) He's there; the Phantom of the Opera ... ANDRE Good heavens! Will you show a little courtesy? FIRMIN (to MEG and the OTHERS) Mademoiselle, please! ANDRE (to CARLOTTA) These things do happen. CARLOTTA Si! These things do happen! Well, until you stop these things happening, this thing does not happen! Ubaldo! Andiamo! (PIANGI dutifully fetches her furs from the wings) PIANGI Amateurs ! LEFEVRE I don't think there's much more to assist you, gentlemen. Good luck. If you need me, I shall be in Frankfurt . (He leaves. The COMPANY looks anxiously at the NEW MANAGERS) ANDRE La Carlotta will be back. GIRY You think so, messieurs? I have a message, sir, from the Opera Ghost. (The GIRLS twitter and twirl in fear) FIRMIN God in Heaven, you're all obsessed! GIRY He merely welcomes you to his opera house and commands you to continue to leave Box Five empty for his use and reminds you that his salary is due. FIRMIN His salary? GIRY Monsieur Lefevre paid him twenty thousand francs a month. Perhaps you can afford more, with the Vicomte de Chagny as your patron. (Reaction to this from the BALLET GIRLS. CHRISTINE takes hold of MEG nervously) ANDRE (to GIRY) Madame, I had hoped to have made that announcement myself. GIRY (to FIRMIN) Will the Vicomte be at the performance tonight, monsieur? FIRMIN In our box. ANDRE Madame, who is the understudy for this role? REYER There is no understudy, monsieur - the production is new. MEG Christine Daae could sing it, sir. FlRMIN The chorus girl ? MEG (to FIRMIN) She's been taking lessons from a great teacher ANDRE From whom ? CHRISTINE (uneasily) I don't know, sir . . . FIRMIN Oh, not you as well! (turning to ANDRE) Can you believe it? A full house - and we have to cancel ! GIRY Let her sing for you, monsieur. She has been well taught. REYER (after a pause) From the beginning of the aria then, mam'selle. CHRISTINE Think of me think of me fondly, when we've said goodbye. Remember me once in a while - please promise me you'll try. FIRMIN Andre, this is doing nothing for my nerves. ANDRE Don't fret, Firmin. CHRISTINE When you find that, once again, you long to take your heart back and be free - if you ever find a moment, spare a thought for me (Transformation to the Gala. CHRISTINE is revealed in full costume) We never said our love was evergreen, or as unchanging as the sea - but if you can still remember stop and think of me . . . Think of all the things we've shared and seen - don't think about the things which might have been . . . Think of me, think of me waking, silent and resigned. Imagine me, trying too hard to put you from my mind. Recall those days look back on all those times, think of the things we'll never do - there will never be a day, when I won't think of you . . (Applause, bravos. Prominent among the bravos, those of the young RAOUL in the MANAGERS' box) RAOUL Can it be? Can it be Christine? Bravo! (he raises his opera-glasses) What a change! You're really not a bit the gawkish girl that once you were... (lowering his opera-glasses) She may not remember me, but I remember her... CHRISTINE We never said our love was evergreen, or as unchanging as the sea - but please promise me, that sometimes you will think of me
14:15 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Think of Me , Phantom Of The Opera Think of Me SONG Phantom Of The Opera LYRICS,The Point of No Return ,Phantom Of TPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, The Point of No Return ,Phantom Of The Opera The Point of No Return SONG LYRICS, Phantom Of The Opera The Point of No Return letrasDON JUAN (PHANTOM - behind the curtain) Passarino - go away! For the trap is set and waits for its prey . . . (PASSARINO leaves. CHRISTINE (AMINTA) enters. She takes off her cloak and sits down. Looks about her. No- one. She starts on an apple. The PHANTOM, disguised as DON JUAN pretending to be PASSARINO, emerges. He now wears PASSARINO's robe, the cowl of which hides his face. His first words startle her) DON JUAN (PHANTOM) You have come here in pursuit of your deepest urge, in pursuit of that wish, which till now has been silent, silent . . . I have brought you, that our passions may fuse and merge - in your mind you've already succumbed to me dropped all defences completely succumbed to me - now you are here with me: no second thoughts, you've decided, decided . . . Past the point of no return - no backward glances: the games we've played till now are at an end . . . Past all thought of "if" or "when" - no use resisting: abandon thought, and let the dream descend . . . What raging fire shall flood the soul? What rich desire unlocks its door? What sweet seduction lies before us . . .? Past the point of no return, the final threshold - what warm, unspoken secrets will we learn? Beyond the point of no return . . . AMINTA (CHRISTINE) You have brought me to that moment where words run dry, to that moment where speech disappears into silence, silence . . . I have come here, hardly knowing the reason why . . . In my mind, I've already imagined our bodies entwining defenceless and silent - and now I am here with you: no second thoughts, I've decided, decided . . . Past the point of no return - no going back now: our passion-play has now, at last, begun . . . Past all thought of right or wrong - one final question: how long should we two wait, before we're one . . .? When will the blood begin to race the sleeping bud burst into bloom? When will the flames, at last, consume us . . .? BOTH Past the point of no return the final threshold - the bridge is crossed, so stand and watch it burn . . . We've passed the point of no return . . . (By now the audience and the POLICE have realised that SIGNOR PIANGI is dead behind the curtain, and it is the PHANTOM who sings in his place. CHRISTINE knows it too. As final confirmation, the PHANTOM sings): PHANTOM Say you'll share with me one love, one lifetime . . . Lead me, save me from my solitude . . . (He takes from his finger a ring and holds it out to her. Slowly she takes it and puts it on her finger.) Say you want me with you, here beside you . . . Anywhere you go let me go too - Christine that's all I ask of . . . (We never reach the word 'you', for CHRISTINE quite calmly reveals the PHANTOM'S face to the audience. As the FORCES OF LAW close in on the horrifying skull, the PHANTOM sweeps his cloak around her and vanishes. MEG pulls the curtain upstage, revealing PIANGI'S body garotted, propped against the bed, his head gruesomely tilted to one side. She screams.) TRANSFORMATION TO: REVERSE VIEW OF THE STAGE (POLICE, STAGEHANDS, etc. rush onto the stage in confusion. Also: ANDRE, FIRMIN, RAOUL, GIRY, CARLOTTA and MEG) CARLOTTA What is it? What has happened? Ubaldo! ANDRE Oh, my God . . . my God . . . FIRMIN We're ruined, Andre - ruined! GIRY (to RAOUL) Monsieur le Vicomte! Come with me! CARLOTTA (rushing over to PIANGI's body) Oh, my darling, my darling . . . who has done this ...? (hysterical, attacking ANDRE) You! Why did you let this happen? (She breaks down, as PIANGI's body is carried off on a stretcher) GIRY Monsieur le Vicomte, I know where they are. RAOUL But can I trust you? GIRY You must. But remember: your hand at the level of your eyes! RAOUL But why . . .? GIRY Why? The Punjab lasso, monsieur. First Buquet. Now Piangi. MEG (holding up her hand) Like this, monsieur. I'll come with you. GIRY No, Meg! No, you stay here! (to RAOUL) Come with me, monsieur. Hurry, or we shall be too late . .
14:13 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, The Point of No Return , Phantom Of The Opera The P Phantom Of The Opera LYRICS,The Phantom of the Opera ,Phantom OfPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, The Phantom of the Opera ,Phantom Of The Opera The Phantom of the Opera SONG LYRICS, Phantom Of The Opera The Phantom of the Opera letrasTHE LABYRINTH UNDERGROUND (The PHANTOM and CHRISTINE take their strange journey to the PHANTOM'S lair. Candles rise from the stage. We see CHRISTINE and the PHANTOM in a boat which moves slowly across the misty waters of the underground lake) CHRISTINE In sleep he sang to me, in dreams he came . . . that voice which calls to me and speaks my name . . . And do I dream again? For now I find the Phantom of the Opera is there - inside my mind . . . PHANTOM Sing once again with me our strange duet . . . My power over you grows stronger yet . . . And though you turn from me, to glance behind, the Phantom of the Opera is there - inside your mind . . . CHRISTINE Those who have seen your face draw back in fear . . . I am the mask you wear . . . PHANTOM It's me they hear . . . BOTH Your/my spirit and your/my voice, in one combined: the Phantom of the Opera is there inside your/my mind . . . OFFSTAGE VOICES He's there, the Phantom of the Opera . . . Beware the Phantom of the Opera . . . PHANTOM In all your fantasies, you always knew that man and mystery . . . CHRISTINE . . . were both in you . . . BOTH And in this labyrinth, where night is blind, the Phantom of the Opera is there/here inside your/my mind . . . Sing, my Angel of Music! CHRISTINE He's there, the Phantom of the Opera . . . (She begins to vocalise strangely, her song becoming more and more extravagant
14:10 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, The Phantom of the Opera , Phantom Of The Opera The Phantom Of The Opera LYRICS,The Music of the Night ,Phantom Of TPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, The Music of the Night ,Phantom Of The Opera The Music of the Night SONG LYRICS, Phantom Of The Opera The Music of the Night letrasBEYOND THE LAKE THE NEXT MORNING (Finally they arrive in the PHANTOM'S lair. Downstage the candles in the lake lift up revealing giant candelabrums outlining the space. The boat turns into a bed. There is a huge pipe organ. The PHANTOM sits at the organ and takes over the accompaniment) PHANTOM I have brought you to the seat of sweet music's throne . . . to this kingdom where all must pay homage to music . . . music . . . You have come here, for one purpose, and one alone . . . Since the moment I first heard you sing, I have needed you with me, to serve me, to sing, for my music . . . my music . . . (changing mood) Night-time sharpens, heightens each sensation . . . Darkness stirs and wakes imagination . . . Silently the senses abandon their defences . . . Slowly, gently night unfurls its splendour . . . Grasp it, sense it - tremulous and tender . . . Turn your face away from the garish light of day, turn your thoughts away from cold, unfeeling light - and listen to the music of the night . . . Close your eyes and surrender to your darkest dreams! Purge your thoughts of the life you knew before! Close your eyes, let your spirit start to soar! And you'll live as you've never lived before . . . Softly, deftly, music shall surround you . . . Feel it, hear it, closing in around you . . . Open up your mind, let your fantasies unwind, in this darkness which you know you cannot fight - the darkness of the music of the night . . . Let your mind start a journey through a strange new world! Leave all thoughts of the world you knew before! Let your soul Take you where you long to be ! Only then can you belong to me . . . Floating, falling, sweet intoxication! Touch me, trust me savour each sensation! Let the dream begin, let your darker side give in to the power of the music that I write - the power of the music of the night . . . (During all this, the PHANTOM has conditioned CHRISTINE to the coldness of his touch and her fingers are brave enough to stray to his mask and caress it, with no hint of removing it. The PHANTOM leads her to a large mirror from which he removes a dust cover and in which we see the image of CHRISTINE, a perfect wax- face impression, wearing a wedding gown. CHRISTINE moves slowly towards it when suddenly the image thrusts its hands through the mirror towards her She faints. The PHANTOM catches her and carries her to the bed, where he lays her down.) PHANTOM You alone can make my song take flight - help me make the music of the night . .
14:09 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, The Music of the Night , Phantom Of The Opera The M Phantom Of The Opera LYRICS,The Mirror Angel of Music ,Phantom OPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, The Mirror Angel of Music ,Phantom Of The Opera The Mirror Angel of Music SONG LYRICS, Phantom Of The Opera The Mirror Angel of Music letrasPHANTOM'S VOICE Insolent boy! This slave of fashion basking in your glory! Ignorant fool! This brave young suitor, sharing in my triumph! CHRISTINE (spell-bound) Angel! I hear you! Speak - I listen . . . stay by my side, guide me! Angel, my soul was weak - forgive me . . . enter at last, Master! PHANTOM'S VOICE Flattering child, you shall know me, see why in shadow I hide! Look at your face in the mirror - I am there inside! (The figure of the PHANTOM becomes discernible behind the mirror) CHRISTINE (ecstatic) Angel of Music! Guide and guardian! Grant to me your glory! Angel of Music! Hide no longer! Come to me, strange angel... PHANTOM"S VOICE I am your Angel ... Come to me: Angel of Music ... (CHRISTINE walks towards the glowing, shimmering glass. Meanwhile, RAOUL has returned. He hears the voices and is puzzled. He tries the door It is locked) RAOUL Whose is that voice . . .? Who is that in there . . .? (Inside the room the mirror opens. Behind it, in an inferno of white light, stands the PHANTOM. He reaches forward and takes CHRISTINE firmly, but not fiercely, by the wrist. His touch is cold, and CHRISTINE gasps) PHANTOM I am your Angel of Music . . . Come to me: Angel of Music . . . (CHRISTINE disappears through the mirror, which closes behind her The door of the dressing room suddenly unlocks and swings open, and RAOUL enters to find the room empty) RAOUL Christine! Angel
14:07 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, The Mirror Angel of Music , Phantom Of The Opera Th Phantom Of The Opera LYRICS,Stranger Than You Dreamt It ,PhantomPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Stranger Than You Dreamt It ,Phantom Of The Opera Stranger Than You Dreamt It SONG LYRICS, Phantom Of The Opera Stranger Than You Dreamt It letrasStranger than you dreamt it - can you even dare to look or bear to think of me: this loathsome gargoyle, who burns in hell, but secretly yearns for heaven, secretly . . . secretly . . . But, Christine . . . Fear can Turn to love - you'll learn to see, to find the man behind the monster: this . . . repulsive carcass, who seems a beast, but secretly dreams of beauty, secretly . . . secretly . . . Oh, Christine . . . (He holds out his hand tor the mask, which she gives to him. He puts it on, turning towards the audience as he sings): Come we must return - those two fools who run my theatre will be missing you. (The lair sinks into the floor as the PHANTOM and CHRISTINE leave
14:06 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Stranger Than You Dreamt It , Phantom Of The Opera Phantom Of The Opera LYRICS,Raoul I've Been There ,Phantom OPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Raoul I've Been There ,Phantom Of The Opera Raoul I've Been There SONG LYRICS, Phantom Of The Opera Raoul I've Been There letrasCHRISTINE Raoul, I've been there - to his world of unending night . . . To a world where the daylight dissolves into darkness . . . darkness . . . Raoul, I've seen him! Can I ever forget that sight? Can I ever escape from that face? So distorted, deformed, it was hardly a face, in that darkness . . . darkness . . . (trancelike, then becoming more and more ecstatic) But his voice filled my spirit with a strange, sweet sound . . . In that night there was music in my mind . . . And through music my soul began to soar! And I heard as I'd never heard before . . . RAOUL What you heard was a dream and nothing more . . . CHRISTINE Yet in his eyes all the sadness of the world . . . Those pleading eyes, that both threaten and adore . . . RAOUL (comforting) Christine . . . Christine . . . PHANTOM (unseen, a ghostly echo of RAOUL's words) Christine . . . CHRISTINE What was that? (A moment, as their eyes meet. The mood changes
14:04 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Raoul I've Been There , Phantom Of The Opera Raoul Phantom Of The Opera LYRICS,Raoul I've Been There ,Phantom OPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Raoul I've Been There ,Phantom Of The Opera Raoul I've Been There SONG LYRICS, Phantom Of The Opera Raoul I've Been There letrasCHRISTINE Raoul, I've been there - to his world of unending night . . . To a world where the daylight dissolves into darkness . . . darkness . . . Raoul, I've seen him! Can I ever forget that sight? Can I ever escape from that face? So distorted, deformed, it was hardly a face, in that darkness . . . darkness . . . (trancelike, then becoming more and more ecstatic) But his voice filled my spirit with a strange, sweet sound . . . In that night there was music in my mind . . . And through music my soul began to soar! And I heard as I'd never heard before . . . RAOUL What you heard was a dream and nothing more . . . CHRISTINE Yet in his eyes all the sadness of the world . . . Those pleading eyes, that both threaten and adore . . . RAOUL (comforting) Christine . . . Christine . . . PHANTOM (unseen, a ghostly echo of RAOUL's words) Christine . . . CHRISTINE What was that? (A moment, as their eyes meet. The mood changes
14:02 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Raoul I've Been There , Phantom Of The Opera Raoul Phantom Of The Opera LYRICS,Prologue ,Phantom Of The Opera ProloPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Prologue ,Phantom Of The Opera Prologue SONG LYRICS, Phantom Of The Opera Prologue letrasTHE STAGE OF THE PARIS OPERA, 1905 (The contents of the opera house is being auctioned off. An AUCTIONEER, PORTERS, BIDDERS, and RAOUL, seventy now, but still bright of eye. The action commences with a blow from the AUCTlONEER's gavel) AUCTIONEER Sold. Your number, sir? Thank you. Lot 663, then, ladies and gentlemen: a poster for this house's production of "Hannibal" by Chalumeau. PORTER Showing here. AUCTIONEER Do I have ten francs? Five then. Five I am bid. Six, seven. Against you, sir, seven. Eight. Eight once. Selling twice. Sold, to Raoul, Vicomte de Chagny. Lot 664: a wooden pistol and three human skulls from the 1831 production of "Robert le Diable" by Meyerbeer. Ten francs for this. Ten, thank you. Ten francs still. Fifteen, thank you, sir Fifteen I am bid. Going at fifteen. Your number, sir? 665, ladies and gentlemen: a papier-mache musical box, in the shape of a barrel-organ. Attached, the figure of a monkey in Persian robes playing the cymbals. This item, discovered in the vaults of the theatre, still in working order. PORTER (holding it up) Showing here. (He sets it in motion) AUCTIONEER My I start at twenty francs? Fifteen, then? Fifteen I am bid. (the bidding continues. RAOUL. eventually buys the box for thirty francs) Sold, for thirty francs to the Vicomte de Chagny. Thank you, sir. (The box is handed across to RAOUL. He studies it, as attention focuses on him for a moment) RAOUL (quietly, half to himself, half to the box) A collector's piece indeed . . . every detail exactly as she said . . . She often spoke of you, my friend .... Your velvet lining, and your figurine of lead... Will you still play, when all the rest of us are dead? (Attention returns to the AUCTIONEER, as he resumes) AUCTIONEER Lot 666, then: a chandelier in pieces. Some of you may recall the strange affair of the Phantom of the Opera: a mystery never fully explained. We are told ladies and gentlemen, that this is the very chandelier which figures in the famous disaster. Our workshops have restored it and fitted up parts of it with wiring for the new electric light, so that we may get a hint of what it may look like when re- assembled. Perhaps we may frighten away the ghost of so many years ago with a little illumination, gentlemen? (The AUCTIONEER switches on the chandelier There is an enormous flash, and the OVERTURE begins. During the overture the opera house is restored to its earlier grandeur. The chandelier immense and glittering, rises magically from the stage, finally hovering high above the stalls
14:00 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Prologue , Phantom Of The Opera Prologue SONG LYRIC Phantom Of The Opera LYRICS,Prima Donna ,Phantom Of The Opera PrPhantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Prima Donna ,Phantom Of The Opera Prima Donna SONG LYRICS, Phantom Of The Opera Prima Donna letrasANDRE Your public needs you! FIRMIN We need you, too! CARLOTTA (unassuaged) Would you not rather have your precious little ingenue? ANDRE/FIRMIN Signora, no! the world wants you! (The MANAGERS adopt their most persuasive attitudes) ANDRE/FIRMIN Prima donna first lady of the stage! Your devotees are on their knees to implore you ! ANDRE Can you bow out when they're shouting your name? FIRMIN Think of how they all adore you! BOTH Prima donna, enchant us once again! ANDRE Think of your muse . . . FIRMIN And of the queues round the theatre! BOTH Can you deny us the triumph in store? Sing, prima donna, once more! (CARLOTTA registers her acceptance as the MANAGERS continue to cajole and the OTHERS reflect variously on the situation) RAOUL Christine spoke of an angel . . . CARLOTTA (to herself, in triumph) Prima donna your song shall live again! ANDRE/FIRMIN (to CARLOTTA) Think of your public! CARLOTTA You took a snub but there's a public who needs you! GIRY (referring to CHRISTINE) She has heard the voice of the angel of music . . . ANDRE/FIRMIN (to CARLOTTA) Those who hear your voice liken you to an angel! CARLOTTA Think of their cry of undying support ! RAOUL Is this her angel of music . . .? ANDRE (to FIRMlN) We get our opera . . . FIRMIN (to ANDRE) She gets her limelight! CARLOTTA Follow where the limelight leads you! MEG Is this ghost an angel or a madman . . .? RAOUL Angel or madman . . .? ANDRE/FIRMIN (aside) Leading ladies are a trial! GIRY Heaven help you, those who doubt . . . CARLOTTA You'll sing again, and to unending ovation! RAOUL Orders! Warnings! Lunatic demands! GIRY This miscasting will invite damnation . . . ANDRE/FIRMIN Tears . . . oaths . . . Iunatic demands are regular occurrences! MEG Bliss or damnation? Which has claimed her . . .? CARLOTTA Think how you'll shine in that final encore! Sing, prima donna, once more! GIRY Oh fools, to have flouted his warnings! RAOUL Surely, for her sake . . . MEG Surely he'll strike back . . . ANDRE/FIRMIN Surely there'll be further scenes - worse than this! GIRY Think, before these demands are rejected! RAOUL . . .I must see these demands are rejected! MEG . . . if his threats and demands are rejected! ANDRE/FIRMIN Who'd believe a diva happy to relieve a chorus girl, who's gone and slept with the patron? Raoul and the soubrette, entwined in love's duet! Although he may demur, he must have been with her! MEG/RAOUL Christine must be protected! CARLOTTA O, fortunata! Non ancor abbandonata! ANDRE/FIRMIN You'd never get away with all this in a play, but if it's loudly sung and in a foreign tongue it's just the sort of story audiences adore, in fact a perfect opera! RAOUL His game is over! GIRY This is a game you cannot hope to win! RAOUL And in Box Five a new game will begin . . . GIRY For, if his curse is on this opera . . . MEG But if his curse is on this opera . . . ANDRE/FIRMIN Prima donna the world is at your feet! A nation waits, and how it hates to be cheated! CARLOTTA The stress that falls upon a famous prima donna! Terrible diseases, coughs and colds and sneezes! Still, the dryest throat will reach the highest note, in search of perfect opera! MEG/GIRY . . . then I fear the outcome . . . RAOUL Christine plays the Pageboy, Carlotta plays the Countess . . . GIRY . . . should you dare to . . MEG . . . when you once again . . . ALL Light up the stage with that age old rapport! Sing, prima donna, once more! PHANTOM'S VOICE So, it is to be war between us! If these demands are not met, a disaster beyond your imagination will occur! ALL Once more
13:58 - 18/10/2009 - Yorum {yok} - yorum yazEtiketler : Phantom Of The Opera lyrics, Phantom Of The Opera music song lyrics, Prima Donna , Phantom Of The Opera Prima Donna SONG
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Son Yazılar - Çoban salatasında hangi malzemeler kullanılır? - pilav-yapmadan-once-pirinci-nasil-islatmaliyiz - Mevsim salatası nasıl yapılır? - Çoban salatası nasıl yapılır? - Acılı ezme nasıl yapılır? - Haydari nasıl yapılır? - Kavurma nasıl pişirilir? - Lezzetli kavurma yapmanın püf noktaları nelerdir? - Kavurma yapmak için et nasıl hazırlanır? - Kavurma en güzel hangi etten yapılır? - Kavurmanın yanında ne yenir? - Domates nasıl küp küp doğranır? - Jülyen doğrama nasıl yapılır? - Salata için soğan nasıl doğranır? - Yemeklik soğan nasıl doğranır? Etiket Bulutu yeşil biber nar ekşisi salata tarifi çoban salatası yemek tarifleri pilav tarifi sebzeli pilav pilav yapmak sade pilav pirinci yıkamak salata malzemeleri maydanoz mevsim salatası mevsim salatası malzemeleri çoban salata çoban salatası nasıl yapılır salata nasıl hazırlanır acılı ezme malzemeleri acılı ezme acılı ezmenin tarifi biber salçası haydari tarifi tatlı biber haydari hazırlanışı haydari kavurma et çoban kavurma tarifi et kavurma yemek tarifleri kuzu eti kavurma kuşbaşı et kavurma kuzu kavurma tarifi malzeme seçimi kavurma tarifi kuzu kavurma koyun kavurma kavurma yapmanın püf noktaları kavurma en iyi hangi etten olur kavurma nasıl yapılır kavurma yapımı |
